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100   $a20180331d2004      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aNew visions in performance $ethe impact of digital technologies /$fedited by Gavin Carver and Colin Beardon
205   $a1st ed.
210  1$aLisse, The Netherlands ;$aExton, Pa. :$cSwets & Zeitlinger Publishers,$d2004.
215   $a1 online resource (204 p.)
225 1 $aInnovations in art and design,$x1570-7393
300   $aIncludes index.
311   $a90-265-1966-4 
327   $aCover; New Visions in Performance: The Impact of Digital Technologies; Copyright; Contents; 1 Introduction; 2 The importance of being interactive; 3 The digital double; 4 The emergence of hyper-reality in performance; 5 The technology of the real: Wayne McGregor's Nemesis and the ecology of perception; 6 halving angels: technology's poem; 7 The Performance Animation Toolbox: developing tools and methods through artistic research; 8 Theatre of context: digital's absurd role in dramatic literature; 9 Haunting the movie: embodied interface/sensory cinema
327   $a10 Play it again, Sam: film performance, virtual environments and game engines11 Sorcerers' Apprentice: reactive digital forms of body and cloth in performance; 12 Turning conventional theatre inside out: democratising the audience relationship; 13 New visions in performance; Notes on authors; Index
330   $aNew Visions in Performance features the work of twelve performers and academics who are concerned with the integration of digital technologies into theatrical performance.
410  0$aInnovations in art and design.
606   $aPerforming arts
606   $aPerforming arts$xTechnological innovations
606   $aDigital control systems
615  0$aPerforming arts.
615  0$aPerforming arts$xTechnological innovations.
615  0$aDigital control systems.
676   $a791
701   $aCarver$b Gavin$01707651
701   $aBeardon$b Colin$f1945-$01707652
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910813464203321
996   $aNew visions in performance$94096076
997   $aUNINA