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100   $a20130903d2013      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBlack soundscapes white stages $ethe meaning of Francophone sound in the black Atlantic /$fEdwin C. Hill Jr
205   $a1st ed.
210   $aBaltimore, Md. $cJohns Hopkins University Press$dc2013
215   $a1 online resource (191 p.)
225 0 $aThe Callaloo African Diaspora Series
300   $aDescription based upon print version of record.
311   $a1-4214-1059-1 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: Le tumulte noir (pt I): French imperial soundscapes and the New World -- "Adieu madras, adieu foulard": the Doudou's colonial complaint -- "To begin the Biguine": remembering Antillean musical time -- La Baker: Princesse Tam Tam and the Doudou's signature dilemma -- Negritude drum circles: the Tam-Tam and the beat -- Le poste colonial and technologies of the minor -- Conclusion: "Notes from the sound field".
330   $aAs the first in Johns Hopkins's new series on the African Diaspora, this book offers new insight into the legacies of these exceptional artists and their global influence.
606   $aWest Indian literature (French)$xHistory and criticism
606   $aSound (Philosophy)
606   $aAfrican diaspora in literature
606   $aBlack people$zWest Indies, French$xMusic$xHistory
606   $aBeguines (Music)$zWest Indies, French$xHistory
607   $aWest Indies, French$xColonization
615  0$aWest Indian literature (French)$xHistory and criticism.
615  0$aSound (Philosophy)
615  0$aAfrican diaspora in literature.
615  0$aBlack people$xMusic$xHistory.
615  0$aBeguines (Music)$xHistory.
676   $a840.9/9729
700   $aHill$b Edwin C.$f1971-$01658722
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910813458903321
996   $aBlack soundscapes white stages$94012928
997   $aUNINA