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001 9910813419403321
005 20180126171021.0
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010   $a1-4744-1314-5
024 7 $a10.1515/9781474413138
035   $a(CKB)4340000000196119
035   $a(MiAaPQ)EBC5013861
035   $a(UkCbUP)CR9781474413138
035   $a(DE-B1597)615898
035   $a(DE-B1597)9781474413138
035   $a(OCoLC)1306538687
035   $a(EXLCZ)994340000000196119
100   $a20171129d2017||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aContemporary musical film /$fedited by K.J. Donnelly and Beth Carroll$b[electronic resource]
210  1$aEdinburgh :$cEdinburgh University Press,$d2017.
215   $a1 online resource (x, 192 pages) $cdigital, PDF file(s)
225 0 $aMusic and the moving image
300   $aTitle from publisher's bibliographic system (viewed on 25 Jan 2018).
311   $a1-4744-1312-9 
327   $tFrontmatter -- $tCONTENTS -- $tILLUSTRATIONS -- $tCONTRIBUTORS -- $tINTRODUCTION: REIMAGINING THE CONTEMPORARY MUSICAL IN THE TWENTY-FIRST CENTURY -- $tPART ONE. ORIGINAL MUSICALS -- $t1 AESTHETIC ABSURDITIES IN TAKASHI MIIKE?S THE HAPPINESS OF THE KATAKURIS -- $t2 FILM AND THE TWILIGHT OF ROCK (ROCK IS DEAD AND FILM KILLED IT): POST-MILLENNIAL ROCK MUSICALS -- $t3 TEAM AMERICA: WORLD POLICE: DUPLICITOUS VOICES OF THE SOCIO-POLITICAL SPY MUSICAL -- $t4 THE ANTI-MUSICAL OR GENERIC AFFINITY: IS THERE ANYTHING LEFT TO SAY? -- $t5 ?IS THIS REAL ENOUGH FOR YOU??: LYRICAL ARTICULATION OF THE BEATLES? SONGS IN ACROSS THE UNIVERSE -- $t6 ?LOVE IS AN OPEN DOOR?: REVISING AND REPEATING DISNEY?S MUSICAL TROPES IN FROZEN -- $tPART TWO STAGE TO SCREEN -- $t7 STAR QUALITY? SONG, CELEBRITY AND THE JUKEBOX MUSICAL IN MAMMA MIA! -- $t8 BEYOND THE BARRICADE: ADAPTING LES MISÉRABLES FOR THE CINEMA -- $tPART THREE. MUSICALS BY ANOTHER NAME -- $t9 O BROTHER, WHERE ART THOU?: THE COEN BROTHERS AND THE MUSICAL GENRE CONTAMINATION -- $t10 RACING IN THE BEAT: MUSIC IN THE FAST & FURIOUS FRANCHISE -- $t11 KILL BILL: QUENTIN TARANTINO AS A MUSICAL FILMMAKER -- $tINDEX
330   $aThis edited collection looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04).
410  0$aMusic and the moving image.
606   $aMusical films$xHistory and criticism
608   $aCriticism, interpretation, etc.$2fast
615  0$aMusical films$xHistory and criticism.
676   $a791.4375
700   $aDonnelly$b K. J., $4aut$4http://id.loc.gov/vocabulary/relators/aut$01173823
702   $aDonnelly$b K. J$g(Kevin J.),
702   $aCarroll$b Beth
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910813419403321
996   $aContemporary musical film$94012398
997   $aUNINA