LEADER 03264nam 2200649 450 001 9910813388403321 005 20200903223051.0 010 $a90-04-26835-9 024 7 $a10.1163/9789004268357 035 $a(CKB)3710000000115904 035 $a(EBL)1693761 035 $a(SSID)ssj0001223892 035 $a(PQKBManifestationID)11707532 035 $a(PQKBTitleCode)TC0001223892 035 $a(PQKBWorkID)11259899 035 $a(PQKB)11634934 035 $a(MiAaPQ)EBC1693761 035 $a(nllekb)BRILL9789004268357 035 $a(Au-PeEL)EBL1693761 035 $a(CaPaEBR)ebr10873746 035 $a(CaONFJC)MIL613050 035 $a(OCoLC)880826932 035 $a(PPN)184922321 035 $a(EXLCZ)993710000000115904 100 $a20140531h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAuthority and imitation $ea study of the Cosmographia of Bernard Silvestris /$fby Mark Kauntze 210 1$aLeiden, Netherlands :$cBrill,$d2014. 210 4$dİ2014 215 $a1 online resource (233 p.) 225 1 $aMittellateinische Studien und Texte,$x0076-9754 ;$vVolume 47 300 $aDescription based upon print version of record. 311 $a90-04-25691-1 320 $aIncludes bibliographical references and indexes. 327 $aPreliminary Material -- Introduction -- 1 Bernard and the Schools of Tours -- 2 The Science of the Cosmographia -- 3 The Theology of the Cosmographia -- 4 Bernard?s Readers -- Conclusion -- Appendix I: Synopsis of the Cosmographia -- Appendix II: Census of Cosmographia Manuscripts -- Bibliography -- Index of Manuscripts -- General Index. 330 $aThe Cosmographia is one of the most inventive and enigmatic works of medieval literature. Mark Kauntze argues that this allegory of creation is best understood as a product of the vibrant intellectual culture of twelfth-century France. Bernard Silvestris established the authority of his treatise by imitating those ancient philosophers and poets who were assiduously studied in the contemporary schools. But he also revised and updated them, to develop a compelling intervention into twelfth-century debates about man's place in nature and the relationship between theology and natural science. Using a wealth of manuscript evidence, Kauntze reconstructs the school context in which Bernard worked, and shows how the Cosmographia itself became an object of scholarly annotation and imitation in the later Middle Ages. 410 0$aMittellateinische Studien und Texte ;$vVolume 47. 606 $aLiterature, Medieval$xHistory and criticism 606 $aDidactic poetry, Latin (Medieval and modern)$xHistory and criticism 606 $aCosmology, Medieval$vPoetry 607 $aTours (France)$xIntellectual life 615 0$aLiterature, Medieval$xHistory and criticism. 615 0$aDidactic poetry, Latin (Medieval and modern)$xHistory and criticism. 615 0$aCosmology, Medieval 676 $a189 700 $aKauntze$b Mark$01650944 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813388403321 996 $aAuthority and imitation$94000595 997 $aUNINA