LEADER 03236nam 2200709 a 450 001 9910813348903321 005 20200520144314.0 010 $a1-107-11264-8 010 $a0-511-00486-9 010 $a1-280-15189-7 010 $a0-511-11621-7 010 $a0-511-14928-X 010 $a0-511-30295-9 010 $a0-511-48310-4 010 $a0-511-05313-4 035 $a(CKB)111004366726242 035 $a(EBL)144629 035 $a(OCoLC)475870563 035 $a(SSID)ssj0000129005 035 $a(PQKBManifestationID)11139845 035 $a(PQKBTitleCode)TC0000129005 035 $a(PQKBWorkID)10089349 035 $a(PQKB)10648867 035 $a(UkCbUP)CR9780511483103 035 $a(MiAaPQ)EBC144629 035 $a(Au-PeEL)EBL144629 035 $a(CaPaEBR)ebr5005969 035 $a(CaONFJC)MIL15189 035 $a(EXLCZ)99111004366726242 100 $a19980413d1999 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aConsequences of Enlightenment /$fAnthony J. Cascardi 205 $a1st ed. 210 $aCambridge, U.K. ;$aNew York $cCambridge University Press$d1999 215 $a1 online resource (viii, 268 pages) $cdigital, PDF file(s) 225 1 $aLiterature, culture, theory ;$v30 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 0 $a0-521-48490-1 311 0 $a0-521-48149-X 320 $aIncludes bibliographical references and index. 327 $g1.$tThe consequences of Enlightenment --$g2.$tAesthetics as critique --$g3.$tThe difficulty of art --$g4.$tCommunication and transformation: aesthetics and politics in Habermas and Arendt --$g5.$tThe role of aesthetics in the radicalization of democracy --$g6.$tInfinite reflection and the shape of praxis --$g7.$tFeeling and/as force. 330 $aWhat is the relationship between contemporary intellectual culture and the European Enlightenment it claims to reject? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues against the view that postmodern culture has rejected Enlightenment beliefs and explores instead the continuities contemporary theory shares with Kant's failed ambition to bring the project of Enlightenment to completion. He explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel, and Wittgenstein in order to reverse the tendency to see works of art simply in terms of the worldly practices among which they are situated. 410 0$aLiterature, culture, theory ;$v30. 606 $aAesthetics$xPolitical aspects 606 $aAesthetics, Modern$y20th century 606 $aEnlightenment 615 0$aAesthetics$xPolitical aspects. 615 0$aAesthetics, Modern 615 0$aEnlightenment. 676 $a190 700 $aCascardi$b Anthony J.$f1953-$0165704 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813348903321 996 $aConsequences of enlightenment$94080691 997 $aUNINA