LEADER 06137nam 2200829 450 001 9910813334303321 005 20230912143340.0 010 $a1-282-00989-3 010 $a9786612009891 010 $a1-4426-7287-0 024 7 $a10.3138/9781442672871 035 $a(CKB)2420000000003929 035 $a(EBL)4671338 035 $a(SSID)ssj0000291281 035 $a(PQKBManifestationID)11252861 035 $a(PQKBTitleCode)TC0000291281 035 $a(PQKBWorkID)10248930 035 $a(PQKB)11578674 035 $a(CaPaEBR)417422 035 $a(CaBNvSL)thg00600209 035 $a(DE-B1597)464314 035 $a(OCoLC)944178373 035 $a(DE-B1597)9781442672871 035 $a(Au-PeEL)EBL4671338 035 $a(CaPaEBR)ebr11257054 035 $a(OCoLC)958571453 035 $a(OCoLC)666909162 035 $a(MdBmJHUP)musev2_104567 035 $a(VaAlCD)20.500.12592/vqwzg8 035 $a(schport)gibson_crkn/2009-12-01/5/417422 035 $a(MiAaPQ)EBC4671338 035 $a(MiAaPQ)EBC3251282 035 $a(EXLCZ)992420000000003929 100 $a20160926h19901990 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChaucer's general prologue to the Canterbury tales $ean annotated bibliography, 1900 to 1982 /$fCaroline D. Eckhardt 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Rochester :$cUniversity of Toronto Press,$d1990. 210 4$dİ1990 215 $a1 online resource (513 p.) 225 1 $aChaucer Bibliographies 300 $aIncludes index. 311 $a0-8020-2592-7 311 $a0-8020-0626-4 320 $aIncludes bibliographical references and index. 327 $a""Contents""; ""General Editor's Preface""; ""Preface""; ""Abbreviations and Master List of Periodicals""; ""Introduction""; ""1 Editions""; ""2 Bibliographies, Indexes, and Other Research Tools""; ""3 General Criticism and Cultural Background""; ""4 Language, Metrics, and Studies of the Manuscripts or Early Editions""; ""5 The Springtime Setting, the Narrator, and the Gathering at the Tabard (lines 1a???42) ""; ""6 The Knight (lines 43a???78)""; ""7 The Squire (lines 79a???100)""; ""8 The Yeoman (lines 101a???17)""; ""9 The Prioress and her Companions (lines 118a???64)"" 327 $a""10 The Monk (lines 165a???207)""""11 The Friar (lines 208a???69)""; ""12 The Merchant (lines 270a???84)""; ""13 The Clerk (lines 285a???308)""; ""14 The Serjeant of the Law (lines 309a???30)""; ""15 The Franklin (lines 331a???60)""; ""16 The Guildsmen (lines 361a???78)""; ""17 The Cook (lines 379a???87)""; ""18 The Shipman (lines 388a???410)""; ""19 The Physician (lines 411a???44)""; ""20 The Wife of Bath (lines 445a???76)""; ""21 The Parson (lines 477a???528)""; ""22 The Plowman (lines 529a???41)""; ""23 The Transition and the Miller (lines 542a???66)""; ""24 The Manciple (lines 567a???86)"" 327 $a""25 The Reeve (lines 587a???622)""""26 The Summoner (lines 623a???68 and 673)""; ""27 The Pardoner (lines 669a???714)""; ""28 The Narrator's Comments and Apology for His Style (lines 715a???46)""; ""29 The Host and the Establishment of the Storytelling Contest (lines 747a???858)""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z"" 330 $aThe General Prologue to Chaucer's Canterbury Tales is one of the most enduring works of English literature. Beloved by scholars, teachers, students, and general readers, it has been given a great many different interpretations. This annotated, international bibliography of twentieth-century criticism on the Prologue is an essential reference guide. It includes books, journal articles, and dissertations, and a descriptive list of twentieth-century editions; it is the most complete inventory of modern criticism on the Prologue. The extensive annotations provide uniquely convenient access to many publications that are otherwise difficult to obtain.In her introduction, Caroline Eckhardt provides a careful and comprehensive overview of modern trends in criticism, trends which can be traced through the bibliography. At the beginning of the century, for example, Chaucer's Prologue was often described as a 'portrait gallery' and praised for its realism - social, psychological, and dramatic. Later in the century came emphases on irony, rhetoric, Freudian interpretations, elaborate allegories, and stylistic complexities. At present, the Prologue is often interpreted as a system of signs and symbols in which realism, if it exists at all, serves purposes beyond itself. The smiling and serene poet of the earlier period has been replaced by a self-conscious ironist, sometimes with a split personality. The portrait gallery of the beginning of the century is still there, though the spectator who walks along it tends to see something less fixed textually (the Prologue is now commonly discussed as work-in-progress) and more complicated structurally, generically, and thematically. It is the spectator, of course, who has changed. 410 0$aChaucer bibliographies. 606 $aChristian pilgrims and pilgrimages in literature$vBibliography 606 $aEnglish poetry$yMiddle English, 1100-1500$vBibliography 606 $aCivilization, Medieval, in literature$vBibliography 606 $aPrologues and epilogues$vBibliography 608 $aBibliographies. 608 $aElectronic books. 615 0$aChristian pilgrims and pilgrimages in literature 615 0$aEnglish poetry 615 0$aCivilization, Medieval, in literature 615 0$aPrologues and epilogues 676 $a016.8211 700 $aEckhardt$b Caroline D.$f1942-$0547400 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813334303321 996 $aChaucer's general prologue to the Canterbury tales$9957796 997 $aUNINA