LEADER 00881nam0-22003011i-450- 001 990001842640403321 005 20021010 035 $a000184264 035 $aFED01000184264 035 $a(Aleph)000184264FED01 035 $a000184264 100 $a20021010d--------km-y0itay50------ba 101 0 $aita 200 1 $a<>warmeliebende Tierwelt der weitern Ungebung Basels$fAlbert Huber. 210 $aBerlin$c...$d1917. 215 $a120 p.$d23 cm 300 $aEstr. da: Archiv fur Naturgeschichte Jahrgang 1916, Abteilung A, Heft 7 610 0 $aBiogeografia 676 $a591.9 700 1$aHuber,$bAlbert$080962 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001842640403321 952 $a60 MISC. B 36/6$b$fFAGBC 959 $aFAGBC 996 $aWarmeliebende Tierwelt der weitern Ungebung Basels$9414620 997 $aUNINA DB $aING01 LEADER 03167nam 2200661 a 450 001 9910813319203321 005 20240514063837.0 010 $a1-283-86995-0 010 $a0-253-00733-X 035 $a(CKB)2550000000707541 035 $a(EBL)816883 035 $a(OCoLC)823387749 035 $a(SSID)ssj0000801576 035 $a(PQKBManifestationID)11487054 035 $a(PQKBTitleCode)TC0000801576 035 $a(PQKBWorkID)10794531 035 $a(PQKB)10554723 035 $a(OCoLC)825170191 035 $a(MdBmJHUP)muse18251 035 $a(Au-PeEL)EBL816883 035 $a(CaPaEBR)ebr10634610 035 $a(CaONFJC)MIL418245 035 $a(MiAaPQ)EBC816883 035 $a(EXLCZ)992550000000707541 100 $a20120626d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHighlife Saturday night $epopular music and social change in urban Ghana /$fNate Plageman 205 $a1st ed. 210 $aBloomington $cIndiana University Press$d2013 215 $a1 online resource (336 p.) 225 0$aAfrican expressive cultures 225 0$aEthnomusicology multimedia 300 $aDescription based upon print version of record. 311 $a0-253-00729-1 311 $a0-253-00725-9 320 $aIncludes bibliographical references, discography, and index. 327 $aIntroduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970. 330 $aHighlife Saturday Night captures the vibrancy of Saturday nights in Ghana-when musicians took to the stage and dancers took to the floor-in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band ""highlife"" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that 410 0$aEthnomusicology multimedia. 410 0$aAfrican expressive cultures. 606 $aDance music$xSocial aspects$zGhana 606 $aHighlife (Music)$zGhana$xHistory and criticism 607 $aGhana$xSocial conditions 615 0$aDance music$xSocial aspects 615 0$aHighlife (Music)$xHistory and criticism. 676 $a306.4/8409667 700 $aPlageman$b Nate$f1978-$01629827 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813319203321 996 $aHighlife Saturday night$93967806 997 $aUNINA