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200 1 $aˆThe ‰roads of Roman Italy$emobility and cultural change$fRay Laurence
210   $aLondon$aNew York$cRoutledge$d1999
215   $aXIII, 221 p.$cill.$d24 cm.
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200 00$aNot far from here $ethe Paris Symposium on Raymond Carver /$fedited by Vasiliki Fachard and Robert Miltner
210  1$aNewcastle upon Tyne, [United Kingdom] :$cCambridge Scholars Publishing,$d2014.
210  4$d2014
215   $a1 online resource (160 p.)
300   $aDescription based upon print version of record.
311   $a1-306-54954-X 
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320   $aIncludes bibliographical references.
327   $aTABLE OF CONTENTS; PREFACE; INTRODUCTION; BIOGRAPHICAL STUDIES; TEXTUAL STUDIES; BEGINNERS' LUCK; FROM "BEGINNERS" TO "WHAT WE TALK . . . "; FILM AND VISUAL STUDIES; 'SO WHY WOULD I WANT A PHOTOGRAPHOF THIS TRAGEDY?'; ATHREATENING FETISH; LITERARY STUDIES; SIGNS VS. SYMBOLS; LACK AND LEFTOVERS; LITERARY STUDIES; CELEBRATING THE MOMENT; 'WAITING FOR WHAT? I'D LIKE TO KNOW'; CONTRIBUTORS; PERMISSIONS; INDEX OF NAMES AND WORKS
330   $aHailed as the ""American Chekhov"" by the Times Literary Supplement, Raymond Carver is the most popular and influential American short-story writer since Ernest Hemingway. His works have been adapted to film and translated into more than twenty languages. Yet despite this international appeal, the critical attention to his writing has originated mostly in the US. In an attempt to expand the scope and range of Carver criticism, Not Far From Here: The Paris Symposium on Raymond Carver - based o...
606   $aAmerican poetry$y20th century
610   $aCOMPOSERS
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610   $aBIOGRAPHY & AUTOBIOGRAPHY
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615  0$aAmerican poetry
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