LEADER 02023nam 2200397Ia 450 001 996385986003316 005 20200824132424.0 035 $a(CKB)4940000000078740 035 $a(EEBO)2240953275 035 $a(OCoLC)ocm12735166e 035 $a(OCoLC)12735166 035 $a(EXLCZ)994940000000078740 100 $a19851029d1693 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe second Spira$b[electronic resource] $ebeing a fearful example of an atheist who had apostatized from the Christian religion, and died in despair at Westminster, Decemb. 8, 1692 : with an account of his sickness, convictions, discourses with friends ministers, and of his dreadful expressions and blasphemies when he left the world : as also a letter from an atheist of his acquaintance, with his answer to it /$fpublish'd for an example to others, and recommended to all young persons, to settle them in their religion, by J.S. a minister of the Church of England .. 205 $aThe fourth edition$bwith a remarkable occurrence further clearing the matter of fact. 210 $aLondon $cPrinted for John Dunton ...$d1693 215 $a[14], 56 p 300 $a"Professedly based on the memoranda of J.S. (J. Sanders) 'methodized' by another. cf. Preface and Methodizer's apology. The publisher, John Dunton, considered the narrative fictitious and ascribed it to the 'methodizer,' Richard Sault. cf. John Dunton's Life and errors, 1818, v. 1, p. 154"--NUC pre-1956 imprints. 300 $aReproduction of original in the Harvard University Library. 330 $aeebo-0062 606 $aAtheism$vEarly works to 1800 615 0$aAtheism 700 $aSault$b Richard$fd. 1702.$01001260 701 $aJ. S$g(J. Sanders)$01001261 701 $aJ. S$cMinister of the Church of England.$01001262 801 0$bEAH 801 1$bEAH 801 2$bm/c 801 2$bEAA 801 2$bWaOLN 906 $aBOOK 912 $a996385986003316 996 $aThe second Spira$92298111 997 $aUNISA LEADER 03299nam 2200529 450 001 9910813284803321 005 20230809231106.0 010 $a3-11-055862-9 010 $a3-11-055912-9 024 7 $a10.1515/9783110559125 035 $a(CKB)4100000001040031 035 $a(MiAaPQ)EBC5123809 035 $a(DE-B1597)487193 035 $a(OCoLC)1004882560 035 $a(DE-B1597)9783110559125 035 $a(Au-PeEL)EBL5123809 035 $a(CaPaEBR)ebr11466367 035 $a(EXLCZ)994100000001040031 100 $a20171211h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aRegularization in orbital mechanics $etheory and practice /$fJavier Roa 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$d©2017 215 $a1 online resource (422 pages) $cillustrations 225 1 $aDe Gruyter Studies in Mathematical Physics,$x2194-3532 ;$vVolume 42 311 $a3-11-055855-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tForeword / $rEfroimsky, Michael -- $tContents -- $t1. Introduction. Current challenges in space exploration -- $tPart I: Regularization -- $t2. Theoretical aspects of regularization -- $t3. The Kustaanheimo-Stiefel space and the Hopf fibration -- $t4. The Dromo formulation -- $t5. Dedicated formulation: Propagating hyperbolic orbits -- $t6. Evaluating the numerical performance -- $tPart II: Applications -- $t7. The theory of asynchronous relative motion -- $t8. Universal and regular solutions to relative motion -- $t9. Generalized logarithmic spirals: A new analytic solution with continuous thrust -- $t10. Lambert's problem with generalized logarithmic spirals -- $t11. Low-thrust trajectory design with controlled generalized logarithmic spirals -- $t12. Nonconservative extension of Keplerian integrals and new families of orbits -- $t13. Conclusions -- $tPart III: Appendices -- $tA. Hypercomplex numbers -- $tB. Formulations in PERFORM -- $tC. Stumpff functions -- $tE. Elliptic integrals and elliptic functions -- $tF. Controlled generalized logarithmic spirals -- $tG. Dynamics in Seiffert's spherical spirals -- $tList of Figures -- $tBibliography -- $tIndex 330 $aRegularized equations of motion can improve numerical integration for the propagation of orbits, and simplify the treatment of mission design problems. This monograph discusses standard techniques and recent research in the area. While each scheme is derived analytically, its accuracy is investigated numerically. Algebraic and topological aspects of the formulations are studied, as well as their application to practical scenarios such as spacecraft relative motion and new low-thrust trajectories. 410 0$aDe Gruyter studies in mathematical physics. 606 $aOrbital mechanics 606 $aAstrodynamics 615 0$aOrbital mechanics. 615 0$aAstrodynamics. 676 $a629.4113 700 $aRoa$b Javier$g(Javier Roa Vicens),$01605408 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813284803321 996 $aRegularization in orbital mechanics$93930643 997 $aUNINA LEADER 03121oam 2200865 c 450 001 9910962676003321 005 20260102090118.0 010 $a3-8467-6400-0 024 7 $a10.30965/9783846764008 035 $a(CKB)4100000008965726 035 $a(OCoLC)1119076765 035 $a(nllekb)BRILL9783846764008 035 $a(MiAaPQ)EBC6517254 035 $a(Au-PeEL)EBL6517254 035 $a(OCoLC)1243541767 035 $a(Brill | Fink)9783846764008 035 $a(EXLCZ)994100000008965726 100 $a20260102d2019 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 10$aBaroque$eFigures of Excess in Seventeenth-Century European Art and German Literature$fPeter J. Burgard 205 $a1st ed. 210 $aPaderborn$cBrill | Fink$d2019 215 $a1 online resource 311 08$a3-7705-6400-6 320 $aIncludes bibliographical references (pages [361]-378) and index. 330 $aWhat is the Baroque? Where did it come from and where did it go? Why do we have to ask these questions? Because art historians seem largely satisfied with their answers and most scholars of German literature are not satisfied, yet have stopped asking.This book discerns in the Baroque an aesthetic phenomenon that crosses both media and national boundaries in its celebration of excess and its disintegration of system, unity, and identity. The compositional principles and theoretical implications of the Baroque, as it first arose in Italian art, find expression in German poetics, drama, poetry, and narrative ? expression accessible only through resolute close reading. Readings of Bernini, Borromini, Velázquez, Rubens, Fracanzano, and de Hooch precipitate readings of Opitz, Gryphius, Fleming, Zesen, Hoffmannswaldau, and Grimmelshausen, demonstrating that seventeenth-century German literature both is Baroque and confirms what the Baroque is. 606 $aArchitektur 606 $aSkulptur 606 $aMalerei 606 $aPoetik 606 $aLyrik 606 $aDrama 606 $aRoman 606 $aSystem 606 $aÄsthetik 606 $ainterdisziplinär 606 $aArchitecture 606 $aSculpture 606 $aPainting 606 $aPoetics 606 $aPoetry 606 $aNovel 606 $aAesthetics 606 $aInterdisciplinary 615 4$aArchitektur 615 4$aSkulptur 615 4$aMalerei 615 4$aPoetik 615 4$aLyrik 615 4$aDrama 615 4$aRoman 615 4$aSystem 615 4$aÄsthetik 615 4$ainterdisziplinär 615 4$aArchitecture 615 4$aSculpture 615 4$aPainting 615 4$aPoetics 615 4$aPoetry 615 4$aNovel 615 4$aAesthetics 615 4$aInterdisciplinary 676 $a700.943 700 $aBurgard$b Peter J$4aut$01835947 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910962676003321 996 $aBaroque$94413520 997 $aUNINA