LEADER 04796nam 2200757Ia 450 001 9910813203603321 005 20200520144314.0 010 $a1-136-59204-0 010 $a0-203-18147-6 010 $a1-136-59205-9 024 7 $a10.4324/9780203181478 035 $a(CKB)2670000000162042 035 $a(EBL)957740 035 $a(OCoLC)798534033 035 $a(SSID)ssj0000716350 035 $a(PQKBManifestationID)11454998 035 $a(PQKBTitleCode)TC0000716350 035 $a(PQKBWorkID)10718224 035 $a(PQKB)10595705 035 $a(MiAaPQ)EBC957740 035 $a(Au-PeEL)EBL957740 035 $a(CaPaEBR)ebr10542236 035 $a(CaONFJC)MIL761506 035 $a(OCoLC)782918669 035 $a(FINmELB)ELB138833 035 $a(OCoLC)659750847 035 $a(EXLCZ)992670000000162042 100 $a20110513d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPostcolonial cinema studies /$fedited by Sandra Ponzanesi and Marguerite Waller 205 $a1st ed. 210 $aAbingdon, Oxon ;$aNew York $cRoutledge$d2012 215 $a1 online resource (273 p.) 300 $aDescription based upon print version of record. 311 08$aPrint version: Postcolonial cinema studies. Abingdon, Oxon ; Routledge, 2012. (OCoLC)659750847 0-415-78229-5 0-415-78228-7 320 $aIncludes bibliographical references and index. 327 $aContents -- Figures -- Contributors -- Acknowledgments -- Introduction -- Part I : Cinemas of empire -- Introduction to Part I -- Chapter 1: Italian Fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic -- Chapter 2: Blackface, faciality, and colony nostalgia in 1930s empire films -- Chapter 3: The socialist historical film -- Part II : Postcolonial cinemas: Unframing histories -- Introduction to Part II -- Chapter 4: From otherness "over there" to virtual presence: Camp de Thiaroye - The Battle of Algiers - Hidden -- Chapter 5: Fraught frames: Fatima, L'Alge?rienne de Dakar and postcolonial quandariesChapter 6: Postcolonial relationalities in Philippe Faucon's Dans la vie -- Chapter 7: The postcolonial condition of "Indochinese" cinema from Viet Nam, Cambodia, and Laos -- Part III : Postcolonial cinemas: postcolonial aesthetics -- Introduction to Part III -- Chapter 8: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation -- Chapter 9: The aesthetics of postcolonial cinema in Raul Ruiz's Three Crowns of the Sailor -- Chapter 10: The postcolonial circus: Maurizio Nichetti's Luna e l'altraChapter 11: Postcolonial adaptations: gained and lost in translation -- Part IV : Postcolonial cinemas and globalization -- Introduction to Part IV -- Chapter 12: Unpeople: postcolonial reflections on terror, torture and detention in Children of Men -- Chapter 13: Mira Nair's Monsoon Wedding and the transcoded audiologic of postcolonial convergence -- Chapter 14: Nollywood in transit: The globalization of Nigerian video culture -- Chapter 15: Postface: An interview with Priya Jaikumar -- Index. 330 $aThis collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial historiography, geography, subjectivity, and epistemology.Current circumstances of migration and immigration, militarization, economic exploitation, racial and religious conflict, enactments of citizenship, and cultural self-representation have deep roots in colonial/postcolonial/neo 606 $aMotion pictures$xPolitical aspects 606 $aImperialism in motion pictures 606 $aNationalism in motion pictures 606 $aIntercultural communication in motion pictures 606 $aCulture in motion pictures 606 $aMulticulturalism in motion pictures 606 $aMotion pictures and globalization 615 0$aMotion pictures$xPolitical aspects. 615 0$aImperialism in motion pictures. 615 0$aNationalism in motion pictures. 615 0$aIntercultural communication in motion pictures. 615 0$aCulture in motion pictures. 615 0$aMulticulturalism in motion pictures. 615 0$aMotion pictures and globalization. 676 $a791.43/6581 701 $aPonzanesi$b Sandra$f1967-$01462597 701 $aWaller$b Marguerite R.$f1948-$01709555 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813203603321 996 $aPostcolonial cinema studies$94099383 997 $aUNINA