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200 14$aThe movie of the week $eprivate stories/public events /$fElayne Rapping
205   $a1st ed.
210   $aMinneapolis $cUniversity of Minnesota Press$dc1992
215   $a1 online resource (xliii, 162 pages)
225 1 $aAmerican culture ;$vv. 5
311 0 $a0-8166-2018-0 
311 0 $a0-8166-2017-2 
320   $aIncludes bibliographical references (p. 151-155) and index.
327   $aContents; Preface; Introduction; Chapter 1 The American Dream Machine: Movies for Large and Small Screens; Chapter 2 Genre, Narrative, and the Public Sphere; Chapter 3 Feminist Theory and the TV Movie: What the Genre Does Best; Chapter 4 TV Movies As Women's Genre; Chapter 5 TV Movies As History: Class, Race, and the Past; Afterword; Bibliography; Index
330   $aHere's a sophisticated, against-the-grain study of the politics of popular TV by Elayne Rapping. The essays in this work focus on a particular genre: the made-for-TV movie, which is usually dismissed as schmaltzy, low-brow, vacuous, apolitical fare by contemptuous critics. But Rapping takes on this prevailing elitist attitude; she defends many of these movies for being public events that wrestle with urgent social issues, and she argues that they often carry progressive, even subversive, messages, albeit in a contradictory way.
410  0$aAmerican culture (Minneapolis, Minn.) ;$v5.
606   $aTelevision and women$zUnited States
606   $aTelevision broadcasting of films$zUnited States
606   $aTelevision broadcasting$xSocial aspects$zUnited States
615  0$aTelevision and women
615  0$aTelevision broadcasting of films
615  0$aTelevision broadcasting$xSocial aspects
676   $a302.23/45/0973
700   $aRapping$b Elayne$f1938-$01712813
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996   $aThe movie of the week$94105289
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