LEADER 01068nam0 2200277 i 450 001 SUN0063468 005 20080319120000.0 010 $a88-7624-377-1 100 $a20080318d2005 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aPeter Eisenman$econtropiede$fa cura di Silvio Cassarą 205 $aMilano : Skira$b[2005] 210 $d208 p. : ill. ; 21 cm 215 $aCatalogo della mostra tenuta a Modena dal 18 giugno al 17 luglio 2005. 620 $dMilano$3SUNL000284 702 1$aEisenman$b, Peter$3SUNV018037 702 1$aCassarą$b, Silvio$3SUNV048934 712 $aSkira$3SUNV000158$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0063468 950 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$d01 PREST IIAb182 $e01 6474 995 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$bIT-CE0107$h6474$kPREST IIAb182$op$qa 996 $aPeter Eisenman$91229603 997 $aUNICAMPANIA LEADER 03941nam 2200637 450 001 9910813064003321 005 20200520144314.0 010 $a0-231-54096-5 024 7 $a10.7312/gill17020 035 $a(CKB)3710000000614319 035 $a(EBL)4389050 035 $a(SSID)ssj0001635772 035 $a(PQKBManifestationID)16388978 035 $a(PQKBTitleCode)TC0001635772 035 $a(PQKBWorkID)14260902 035 $a(PQKB)10149654 035 $a(MiAaPQ)EBC4389050 035 $a(StDuBDS)EDZ0001358540 035 $a(DE-B1597)473174 035 $a(OCoLC)945232877 035 $a(OCoLC)965315364 035 $a(DE-B1597)9780231540964 035 $a(Au-PeEL)EBL4389050 035 $a(CaPaEBR)ebr11210562 035 $a(CaONFJC)MIL908846 035 $a(EXLCZ)993710000000614319 100 $a20160525h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIndustry and intelligence $econtemporary art since 1820 /$fLiam Gillick 210 1$aNew York, New York :$cColumbia University Press,$d2016. 210 4$d©2016 215 $a1 online resource (209 p.) 225 1 $aBampton Lectures in America 300 $aDescription based upon print version of record. 311 $a0-231-17020-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction: Creative Disruption in the Age of Soft Revolutions -- $t1. Contemporary Art Does Not Account for That Which Is Taking Place -- $t2. Projection and Parallelism -- $t3. Art as a Pile: Split and Fragmented Simultaneously -- $t4. 1820: Erasmus and Upheaval -- $t5. ASAP Futures, Not Infinite Future -- $t6. 1948: B. F. Skinner and Counter-Revolution -- $t7. Abstract -- $t8. 1963: Herman Kahn and Projection -- $t9. The Complete Curator -- $t10. Maybe It Would Be Better If We Worked in Groups of Three? -- $t11. The Return of the Border -- $t12. 1974: Volvo and the Mise-en-Scčne -- $t13. The Experimental Factory -- $t14. Nostalgia for the Group -- $t15. Why Work? -- $tNotes -- $tIndex 330 $aThe history of modern art is often told through aesthetic breakthroughs that sync well with cultural and political change. From Courbet to Picasso, from Malevich to Warhol, it is accepted that art tracks the disruptions of industrialization, fascism, revolution, and war. Yet filtering the history of modern art only through catastrophic events cannot account for the subtle developments that lead to the profound confusion at the heart of contemporary art.In Industry and Intelligence, the artist Liam Gillick writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events. Taking a broad view of artistic creation from 1820 to today, Gillick follows the response of artists to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works. 410 0$aBampton lectures in America. 606 $aArt, Modern$xThemes, motives 606 $aArt and society 615 0$aArt, Modern$xThemes, motives. 615 0$aArt and society. 676 $a709.04 700 $aGillick$b Liam$f1964-$01669227 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813064003321 996 $aIndustry and intelligence$94030363 997 $aUNINA