LEADER 02127nam 2200445 450 001 9910813034303321 005 20210111164557.0 010 $a1-78138-235-2 035 $a(CKB)4330000000005402 035 $a(StDuBDS)EDZ0001372768 035 $a(MiAaPQ)EBC4616273 035 $a(EXLCZ)994330000000005402 100 $a20150127d2016 fy| 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPoetry, photography, ekphrasis $elyrical representations of photographs from the 19th century to the present /$fAndrew Miller$b[electronic resource] 210 1$aLiverpool :$cLiverpool University Press,$d2016. 215 $a1 online resource $cillustrations 311 $a1-78138-190-9 320 $aIncludes bibliographical references and index. 327 $aThat which will not perish into art : the chronotope of the photograph -- The ekphrasis of the Cicerone : the 19th century -- The snapshot elegy -- The suppressed ekphrasis -- The ekphrasis of iconic photographys -- The ekphrasis calligram -- The anti-ekphrasis : Larry Levis's "sensationalism" -- The speaking photograph -- The shadow of the former self -- The photoshopped image : the ekphrases of digital photographs -- Coda : Sallie in her Byzantine mirror. 330 8 $aA detailed study of the ekphrasis of photography in poetry since the 19th century. Unlike other critical studies of ekphrasis, Miller's study concentrates solely on the lyrical ekphrasis of photographs, setting out to define how the photographic image provides a unique form of poetic ekphrasis. 606 $aEkphrasis 606 $aPhotography in literature$xHistory$y19th century 606 $aPoetry and the arts 615 0$aEkphrasis. 615 0$aPhotography in literature$xHistory 615 0$aPoetry and the arts. 676 $a809.19357 700 $aMiller$b Andrew$0306182 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910813034303321 996 $aPoetry, photography, ekphrasis$94105693 997 $aUNINA