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100   $a19940502d1995      ub         0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 10$aNarrative mortality $edeath, closure, and new wave cinemas /$fCatherine Russell
205   $a1st ed.
210   $aMinneapolis $cUniversity of Minnesota Press$dc1995
215   $a1 online resource (281 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-2486-0 
311   $a0-8166-2485-2 
320   $aIncludes bibliographical references (p. 253-262) and index.
327   $aContents; Acknowledgments; Introduction: Narrative Mortality; 1. Beyond Pleasure: Lang and Mortification; 2. Wim Wenders: Film as Death at Work; 3. Oshima Nagisa: The Limits of Nationhood; 4. Jean-Luc Godard: Allegory of the Body; 5. American Apocalypticism: The Sight of the Crisis; Conclusion: The Senselessness of Ending; Notes; Bibliography; Index
330   $aWhat seems like closure might be something more, as Catherine Russell shows us in this book about death in narrative cinema since the 1950's. Analyzing the structural importance of death in narrative endings, as well as the thematics of loss and redemption, Russell identifies mortality as a valuable critical tool for understanding the cinema of the second half of the twentieth century. Her work includes close textual readings of films by Fritz Lang, Wim Wenders, Oshima Nagisa, Jean-Luc Godard, and Robert Altman, among others.
606   $aDeath in motion pictures
606   $aNew wave films
615  0$aDeath in motion pictures.
615  0$aNew wave films.
676   $a791.43/654
700   $aRussell$b Catherine$f1959-$01703443
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910813000003321
996   $aNarrative mortality$94088625
997   $aUNINA