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100   $a20180518d2018      uy         0
101 0 $aeng
135   $aur|||||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aWomen and images of men in cinema $egender construction in La Belle et la Baete by Jean Cocteau /$fedited by Andreas Hamburger
205   $a1st.
210  1$aLondon :$cRoutledge,$d2018.
215   $a1 online resource (193 p.)
300   $aDescription based upon print version of record.
311 08$a9780367329839 
311 08$a0367329832 
311 08$a9781782202905 
311 08$a1782202900 
320   $aIncludes bibliographical references at the end of each chapters and index.
327   $tpart, I Beauties and Beasts in Film Psychoanalysis -- $tchapter One Women and images of men in cinema /$r Andreas Hamburger -- $tchapter Two Psychoanalytical film interpretation?possibilities and limitations* /$r Wolfgang Mertens -- $tchapter Three Beautiful beasts?motif tradition and film psychoanalysis in Jean Cocteau?s La Belle et la Bête (F 1946) /$r Andreas Hamburger -- $tpart, II The Beauties -- $tchapter Four La Belle, la Bête, et la rose /$r Andrea Sabbadini -- $tchapter Five ?You can?t say no to the Beauty and the Beast ??* Or: an ending and no beautiful beast /$r Christine Kirchhoff -- $tpart, III The Beasts -- $tchapter Six Once upon a time?Beauty and the Beast?a surrealistic survival attempt in the year 1946? /$r Marianne Leuzinger-Bohleber -- $tchapter Seven Coming over to the wild side: women?s yearning for beastly encounters in the course of film history /$r Andreas Rost.
330   $aWomen and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception.
606   $aPsychoanalysis and motion pictures
615  0$aPsychoanalysis and motion pictures.
676   $a791.43019
700   $aHamburger$b Andreas$01662160
702   $aHamburger$b Andreas
801  0$bOCoLC-P
801  1$bOCoLC-P
906   $aBOOK
912   $a9910812987603321
996   $aWomen and images of men in cinema$94018611
997   $aUNINA