LEADER 05459nam 2200733Ia 450 001 9910812950503321 005 20200520144314.0 010 $a1-134-92809-2 010 $a1-134-92810-6 010 $a1-138-15363-X 010 $a0-203-35933-X 010 $a1-280-05393-3 024 7 $a10.4324/9780203359334 035 $a(CKB)1000000000443957 035 $a(EBL)179227 035 $a(OCoLC)437081971 035 $a(SSID)ssj0000284788 035 $a(PQKBManifestationID)11912598 035 $a(PQKBTitleCode)TC0000284788 035 $a(PQKBWorkID)10261632 035 $a(PQKB)11495148 035 $a(MiAaPQ)EBC179227 035 $a(Au-PeEL)EBL179227 035 $a(CaPaEBR)ebr10097519 035 $a(CaONFJC)MIL5393 035 $a(OCoLC)826516671 035 $a(EXLCZ)991000000000443957 100 $a19910409d1992 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTheatre at the crossroads of culture /$fPatrice Pavis ; translated by Loren Kruger 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d1992 215 $a1 online resource (219 p.) 300 $aTranslation of: Theatre au croisement des cultures. 311 $a0-415-06038-9 311 $a0-203-37609-9 320 $aIncludes bibliographical references and index. 327 $aBOOK COVER; HALF-TITLE; TITLE; COPYRIGHT; CONTENTS; PREFACE; 1 TOWARD A THEORY OF CULTURE AND MISE EN SCE?NE; A SATURATED THEORY; AN HOURGLASS READY FOR EVERYTHING; CAVITY, CRUCIBLE, CROSSING, CROSSROADS; CULTURE AND ITS DOUBLES; Culturalist premises; Definition 1; Definition 2; Definition 3; Definition 4; Definition 5; Sociohistorical premises ; NOTES; BIBLIOGRAPHY; 2 FROM PAGE TO STAGE: A DIFFICULT BIRTH ; PRELIMINARY REMARKS; DENIALS; MISE EN SCE?NE AS A MEANS OF MODULATING THE RELATIONSHIP BETWEEN TEXT AND PERFORMANCE; Stage enunciation and the concretization circuit 327 $aVerbal and non-verbal: Reading actualizedChange in perspective; Metatext or discourse of the mise en sce?ne; Mise en sce?ne as discourse on emptiness and ambiguity: Imaginary solution and parodic discourse; A TYPOLOGY OF MISES EN SCE?NE? ; (PROVISIONAL) CONCLUSIONS ; MARGINS; Margin 1; Margin 2; Margin 3; Margin 4; Margin 5; Margin 6; Margin 7; Margin 8; Margin 9; Margin 10; Margin 11; NOTE; BIBLIOGRAPHY; 3 THE CLASSICAL HERITAGE OF MODERN DRAMA: THE CASE OF POSTMODERN THEATRE; CLASSICAL WORK OR MODERN TEXT?; The Work and the Text; The impossible unitary space 327 $aNew relationship to the classical work Infusing, decentering, undoing the rhythm; INHERITANCE OR MEMORY; Bourgeois or socialist heritage; Tradition and traditions; The heritage of postmodern theatre; MODERN OR POSTMODERN THEATRE; The postmodernization of works; Some tendencies in postmodern theatre; NOTES; BIBLIOGRAPHY; 4 ON THEORY AS ONE OF THE FINE ARTS AND ITS LIMITED INFLUENCE ON CONTEMPORARY DRAMA WHETHER MAJORITY OR MINORITY...; THEORY AND MINORITY; Meaning of 'theory'; Meaning of 'minority'; Theory: minoritarian or minor art?; New majorities in contemporary theatre theory 327 $aTHEORY AS ONE OF THE FINE ARTS The pleasures of theory; The place of theory; Crisis of semiotics; Theory overflowing into practice; LIMITED BUT PERCEPTIBLE INFLUENCE; Influence on majority dramaturgy; Commercial majority; Ideological majority; National majority in the mise en sce?ne of classics; Influence on minority dramaturgy; Minority of the avant-garde; Cultural minority; APPENDIX; NOTES; BIBLIOGRAPHY; 5 THEATRE AND THE MEDIA; SPECIFICITY AND INTERFERENCE; THEATRE WITHIN A THEORY OF MEDIA; Mediatization of theatre; Media in relation to theatre; Quantification and massification 327 $aTheatre, media and the spectacular The double game of the media and theatre; DRAMATURGY AND SPECIFICITY OF THE MEDIA; The damaturgy of radio; The dramaturgy of television; The dramaturgy of video; Specificity of radio; Specificity of television; Specificity of video; Fictional status of the media; INTERFERENCES BETWEEN MEDIA ; Theatre == Radio ; Theatre - - Radio ; Radio == Theatre ; Radio - - Theatre ; Radio == Cinema ; Radio - - Cinema ; Cinema ==; Radio ; Cinema - - Radio ; Cinema == Video ; Cinema - - Video ; Video == Cinema ; Video - - Cinema 327 $aVideo == Television/Video - -Television 330 $aWestern culture has a long and fraught history of cultural appropriation, a history that has particular resonance within performance practice. Patrice Pavis asks what is at stake politically and aesthetically when cultures meet at the crossroads of theatre.? A series of major recent productions are analysed, including Peter Brook's Mahabharata, Cixous/Mnouchkine's Indiande, and Barba's Faust. These focus discussions on translation, appropriation, adaptation, cultural misunderstanding, and theatrical exploration. Never losing sight of the theatrical experience, Pa 606 $aDrama 606 $aIntercultural communication 606 $aTheater and society 615 0$aDrama. 615 0$aIntercultural communication. 615 0$aTheater and society. 676 $a306.4/84 676 $a306.484 700 $aPavis$b Patrice$f1947-$0223325 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812950503321 996 $aTheatre at the crossroads of culture$91332424 997 $aUNINA