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010   $a9786613272195
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035   $a(EBL)766047
035   $a(OCoLC)741691372
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100   $a20100223d2009      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aAdaptation in contemporary culture $etextual infidelities /$fedited by Rachel Carroll
205   $a1st ed.
210   $aLondon $cContinuum$dc2009
215   $a1 online resource (225 p.)
300   $aDescription based upon print version of record.
311   $a0-8264-2464-3 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgements; Contributors; CHAPTER ONE: Introduction: Textual Infidelities; PART I: Remaking Fidelity; PART II: After-images; PART III: Reproducing the Past; PART IV: Afterlives; Index
330   $aAdaptation in Contemporary Culture: Textual Infidelities seeks to reconfigure the ways in which adaptation is conceptualised by considering adaptation within an extended range of generic, critical and theoretical contexts. This collection explores literary, film, television and other visual texts both as origins and adaptations and offers new insights into the construction of genres, canons and classics. Chapters investigate both classic and contemporary texts by British and American authors, from Jane Austen, Edgar Allan Poe and Charles Dickens to Bret Easton Ellis, P.D James and Sarah Waters
606   $aLiterature$vAdaptations
606   $aFilm adaptations$xHistory and criticism
606   $aMotion pictures and literature
606   $aMass media and literature
615  0$aLiterature
615  0$aFilm adaptations$xHistory and criticism.
615  0$aMotion pictures and literature.
615  0$aMass media and literature.
676   $a809
701   $aCarroll$b Rachel$0864805
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910812943303321
996   $aAdaptation in Contemporary Culture$93952616
997   $aUNINA