LEADER 04238nam 2200673Ia 450 001 9910812933103321 005 20230721005214.0 010 $a94-012-0627-9 010 $a1-4356-9530-5 024 7 $a10.1163/9789401206273 035 $a(CKB)1000000000720885 035 $a(EBL)556537 035 $a(OCoLC)302001509 035 $a(SSID)ssj0000275190 035 $a(PQKBManifestationID)12096484 035 $a(PQKBTitleCode)TC0000275190 035 $a(PQKBWorkID)10341261 035 $a(PQKB)11469473 035 $a(MiAaPQ)EBC556537 035 $a(OCoLC)302001509$z(OCoLC)649903304$z(OCoLC)714567280$z(OCoLC)764536134$z(OCoLC)843178836$z(OCoLC)961537942$z(OCoLC)962606230$z(OCoLC)966254164$z(OCoLC)974572685$z(OCoLC)974616127 035 $a(nllekb)BRILL9789401206273 035 $a(Au-PeEL)EBL556537 035 $a(CaPaEBR)ebr10380317 035 $a(EXLCZ)991000000000720885 100 $a20081014d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWriting and filming the painting$b[electronic resource] $eekphrasis in literature and film /$fLaura M. Sager Eidt 210 $aAmsterdam ;$aNew York, NY $cRodopi$d2008 215 $a1 online resource (244 p.) 225 1 $aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;$v117 300 $aOriginally written as author's dissertation, University of Texas in Austin. 300 $aWorks of art by Goya, Rembrandt and Vermeer are analyzed. 311 $a90-420-2457-7 320 $aFilmography (p. [235]). 320 $aIncludes bibliographical references (p. [221]-234). 327 $aPreliminary Material -- Toward a Definition of Ekphrasis in Literature and Film -- Methodology -- Goya?s Sleep of Reason in Poetry, Drama, and Film: Dramatizing the Artist?s Battle with his Creatures -- Goya?s Sleep of Reason in Lion Feuchtwanger?s Novel and Konrad Wolf?s Film Adaptation: Private or Social Demons? -- From Screenplay to Film: Rembrandt?s Self-Portraits and Social Identity Construction through Ekphrasis -- Vermeer?s Women in Film and Fiction: Ekphrasis and Gendered Structures of Vision -- Conclusion: The Cerebral and the Affective Function of Ekphrasis -- Works Cited -- Filmography -- List of Illustrations/Image Credits. 330 $aThis innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century. 410 0$aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;$v117. 606 $aArt in literature 606 $aArt in motion pictures 606 $aEkphrasis 606 $aPainting and motion pictures 615 0$aArt in literature. 615 0$aArt in motion pictures. 615 0$aEkphrasis. 615 0$aPainting and motion pictures. 676 $a809.93357 700 $aEidt$b Laura M. Sager$01725134 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812933103321 996 $aWriting and filming the painting$94127790 997 $aUNINA