LEADER 05552oam 2200649 a 450 001 9910812907303321 005 20200520144314.0 010 $a979-84-00-61451-4 010 $a978031300062X 010 $a0-313-00062-X 024 7 $a10.5040/9798400614514 035 $a(CKB)111056485429156 035 $a(OCoLC)49730009 035 $a(CaPaEBR)ebrary5004418 035 $a(SSID)ssj0000105752 035 $a(PQKBManifestationID)11128634 035 $a(PQKBTitleCode)TC0000105752 035 $a(PQKBWorkID)10102080 035 $a(PQKB)11377000 035 $a(Au-PeEL)EBL3000131 035 $a(CaPaEBR)ebr5004418 035 $a(OCoLC)929143879 035 $a(MiAaPQ)EBC3000131 035 $a(OCoLC)43487262 035 $a(DLC)BP9798400614514BC 035 $a(EXLCZ)99111056485429156 100 $a20000131e20012024 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aArt and representation $econtributions to contemporary aesthetics /$fedited by Ananta Ch. Sukla 205 $aFirst edition. 210 1$aWestport, Conn. :$cPraeger,$d2001. 210 2$aLondon :$cBloomsbury Publishing,$d2024 215 $a1 online resource (x, 282 pages) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-275-96847-2 320 $aIncludes bibliographical references (p. [263]-268) and indexes. 327 $aCover -- ART AND REPRESENTATION -- Contents -- Acknowledgments -- Introduction -- I -- II -- III -- IV -- V -- VI -- NOTES -- PART ONE Concepts and Faculties -- 1 Representation in Language -- PICTORIAL, PRESENTATIONAL, AND REPRESENTATIONAL FORM -- OLD AND NEW WAYS OF IDEAS -- ANOTHER IDEA OF IDEA -- FORMS OF LIFE -- WORLD PICTURES -- LANGUAGE AND THE VERY IDEA OF A CONCEPTUAL SCHEME -- SENDING ON REPRESENTATION -- NOTES -- 2 Representation and Epistemology -- THE PERFORMING ARTS -- NOTES -- 3 Political and Historical Representation -- INTRODUCTION -- REPRESENTATION -- IMPLICATIONS OF THE FOREGOING -- FOUR CONSEQUENCES -- FROM REPRESENTATIVE TO PLEBISCITARY DEMOCRACY -- WHERE TO FIND THE REMEDY FOR OUR PRESENT POLITICAL ILLS? -- CONCLUSION -- NOTES -- 4 Representation in Sacrificial Rites -- RELIGION, RITUAL, AND SACRIFICE -- THE STRUCTURALISTS -- THE PERSISTENCE OF RELIGION -- RECAPTURING THE RELIGIOUS CONTEXT OF DURKHEIMIAN THOUGHT -- SACRIFICIAL RHETORIC -- WHAT KIND OF THEORY? -- PERSISTENCE OF SACRIFICIAL RHETORIC -- NOTES -- 5 Possible World and Representation -- POSSIBLE WORLDS AND MODALITY -- POSSIBLE AND IMPOSSIBLE WORLDS -- MODAL REALISM AND CONCRETE WORLDS -- NOTES -- REFERENCES -- 6 Postmodernism and Representation -- POST-METAPHYSICAL REPRESENTATION: THE LOST GROUND OF CRITIQUE? -- DERRIDA DECONSTRUCTING THE CENTER -- From Logocentric to Postmodern Linguistics -- An Epochal Genealogy of Writing -- Semiotic Production -- The Conditions of Hermeneutic Suspicion -- RORTY'S ANTI-FOUNDATIONAL SKEPTICISM -- Beyond Truth and the Good -- Rorty's Epistemic Agenda -- Representation without Essences -- FOUCAULT'S POWERS OF DISCOURSE -- The Pragmatic Conditions of History -- The Constitution of Objects -- The Problem of Postfoundational Critique -- THE NECESSARY CONDITIONS OF CRITIQUE -- ADORNO'S CRITICAL REPRESENTATIONS. 327 $aFoundations without a Method -- Formal Necessity as Foundational Contradiction -- RECONSTRUCTING THE FOUNDATIONS OF REPRESENTATION AND CRITIQUE -- NOTE -- REFERENCES -- PART TWO Aesthetics and Arts -- 7 Some Current Philosophical Theories of Pictorial Representation -- NOTES -- 8 A Causal Theory of Pictorial Representation -- I -- II -- III -- IV -- V -- ACKNOWLEDGMENT -- NOTES -- 9 Painting, Photography, and Representation -- MATCHING -- SIMULATION -- THE INTENTIONALITY OF PICTURES -- REPRESENTATION, PAINTING, AND PHOTOGRAPHY -- CONCLUSION -- NOTES -- 10 Representation in Literatur -- I -- II -- III -- IV -- NOTES -- 11 Musical Representation -- THE MUSICAL REPRESENTATION OF SOUNDS -- MUSIC AND DYNAMIC PROCESSES -- DRAMATIC MUSIC AND SONGS -- THE REPRESENTATION OF EMOTIONS IN MUSIC -- ABSTRACT INSTRUMENTAL MUSIC -- MUSIC WITH DESCRIPTIVE TITLES AND PROGRAMS -- REPRESENTATIONS OF MUSIC WITHIN MUSIC -- CONCLUSION -- NOTE -- 12 Representation in Dance: Reference and Resemblance -- REFERENCE -- REPRESENTATION -- REPRESENTATION AND EXPRESSION -- NOTES -- 13 Film and Representation -- TRANSPARENT REALISM -- REPRESENTATIONALISM -- THE LOGIC OF SEEING -- CONCLUSION -- NOTES -- 14 Representation in Painting and Drama: Arguments from Indian Aesthetics -- PREFACE -- INTRODUCTION -- REPRESENTATION AS ILLUSION -- REPRESENTATION AS ARTIFICIAL REPRODUCTION/REPLICA/RE-PRESENTATION -- REPRESENTATION AS PERFORMANCE/DETERMINATE PRESENTATION OF THE INDETERMINATE/ILLUSTRATIVE TOKEN OF TYPE -- CONCLUSION -- NOTES -- 15 Representation, Representativeness, and Non-Representational Art -- I -- II -- III -- IV -- V -- VI -- VII -- NOTES -- Selected Bibliography -- Author/Name Index -- Term/Concept Index -- About the Editor and Contributors. 606 $aRepresentation (Philosophy) 606 $aArt$xPhilosophy 606 $aAesthetics, Modern 615 0$aRepresentation (Philosophy) 615 0$aArt$xPhilosophy. 615 0$aAesthetics, Modern. 676 $a111/.85 701 $aSukla$b Ananta Charana$f1942-$01742816 801 0$bDLC 801 1$bDLC 801 2$bDLC 906 $aBOOK 912 $a9910812907303321 996 $aArt and representation$94169536 997 $aUNINA