LEADER 03267nam 2200625Ia 450 001 9910812895903321 005 20240515164514.0 010 $a1-280-47708-3 010 $a9786610477081 010 $a1-84150-923-X 035 $a(CKB)1000000000032515 035 $a(EBL)283034 035 $a(OCoLC)61160691 035 $a(SSID)ssj0000107511 035 $a(PQKBManifestationID)11127489 035 $a(PQKBTitleCode)TC0000107511 035 $a(PQKBWorkID)10012589 035 $a(PQKB)11717514 035 $a(MiAaPQ)EBC283034 035 $a(Au-PeEL)EBL283034 035 $a(CaPaEBR)ebr10080782 035 $a(CaONFJC)MIL47708 035 $a(EXLCZ)991000000000032515 100 $a20050310d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAudience and publics $ewhen cultural engagement matters for the public sphere /$fedited by Sonia Livingstone 205 $a1st ed. 210 $aBristol ;$aPortland, OR $cIntellect Books$d2005 215 $a1 online resource (250 p.) 225 1 $aChanging media--changing Europe series ;$vv. 2 300 $aDescription based upon print version of record. 311 $a1-84150-129-8 320 $aIncludes bibliographical references and index. 327 $aForeword; Contents; Author Biographies; Sonia Livingstone - Introduction; Sonia Livingstone - Chapter 1: On the relation between audiences and publics1; Daniel Dayan - Chapter 2: Mothers, midwives and abortionists: genealogy, obstetrics, audiences & publics; Dominique Mehl - Chapter 3: The public on the television screen: towards a public sphere of exhibition; Mirca Madianou Chapter 4: The elusive public of television news; Ulrike Hanna Meinhof - Chapter 5: Initiating a public: Malagasy music and live audiences in differentiated cultural contexts 327 $aRoberta Pearson and Ma?ire Messenger Davies - Chapter 6: Class acts? Public and private values and the cultural habits of theatre-goersSonia Livingstone - Chapter 7: In defence of privacy: mediating the public/private boundary at home; Kirsten Drotner Chapter 8: Media on the move: personalised media and the transformation of publicness; Ulrike Hanna Meinhof - Appendix: Audiences and publics: comparing semantic fields across different languages; Index 330 $aIn today's thoroughly mass-mediated world, audiences and publics are, of course, composed of the same people. Yet social science traditionally treats them quite differently. Indeed, it is commonplace to define audiences in opposition to the public: in both popular and elite discourses, audiences are denigrated as trivial, passive, individualised, while publics are valued as active, critically engaged and politically significant. 410 0$aChanging media--changing Europe series ;$vv. 2. 606 $aMass media$zEurope 606 $aMass media$xSocial aspects 615 0$aMass media 615 0$aMass media$xSocial aspects. 676 $a302.23 676 $a302.23094 701 $aLivingstone$b Sonia$0563711 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812895903321 996 $aAudience and publics$94019988 997 $aUNINA