LEADER 01243nam2-2200397---450- 001 990003511200203316 005 20110308121354.0 010 $a2-7071-2062-6 035 $a000351120 035 $aUSA01000351120 035 $a(ALEPH)000351120USA01 035 $a000351120 100 $a20110308d1991----km-y0itay50------ba 101 $afre 102 $aFR 105 $aa---||||001yy 200 1 $a<> champ du signe, 1945-1966$fFrançois Dosse 210 $aParis$cLa Découverte$d1991 215 $a488 p., [8] p. di tav.$cill.$d22 cm 225 2 $aTextes à l'appui$hHistoire contemporaine 410 0$1001$12001$aTextes à l'appui$hHistoire contemporaine 461 1$1001000351118$12001$aHistoire du structuralisme 606 0 $aStrutturalismo$xStoria 676 $a149.96 700 1$aDOSSE,$bFrançois$0382156 801 0$aIT$bsalbc$gISBD 912 $a990003511200203316 951 $aDSSP SANT 149.96 DOS 1$bDSSP 959 $aBK 969 $aDSSP 979 $aDSSP1$b90$c20110308$lUSA01$h1202 979 $aDSSP1$b90$c20110308$lUSA01$h1203 979 $aDSSP1$b90$c20110308$lUSA01$h1204 979 $aDSSP1$b90$c20110308$lUSA01$h1213 996 $aChamp du signe 1945-1966$91088247 997 $aUNISA LEADER 02491nam 22005053 450 001 9910812802003321 005 20231110230523.0 010 $a0-88414-544-1 035 $a(CKB)5590000000629937 035 $a(MiAaPQ)EBC28923483 035 $a(Au-PeEL)EBL28923483 035 $a(OCoLC)1281978803 035 $a(EXLCZ)995590000000629937 100 $a20211214d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDrawn to the Word $eThe Bible and Graphic Design 205 $a1st ed. 210 1$a :$cSociety of Biblical Literature,$d2021. 210 4$d©2021. 215 $a1 online resource (281 pages) 225 1 $aBible and Its Reception ;$vv.4 311 $a0-88414-543-3 327 $aCover -- Contents -- Acknowledgments -- Figures -- Abbreviations -- Introduction -- Biblical Reception History -- A Social Semiotics of the Visual -- Liturgy and Lectionary in Biblical Reception History -- Color -- Silhouette -- A Semiotic Analysis of the Graphic Design Easter -- A Semiotic Analysis of the Graphic Design Christ Yesterday and Today -- Conclusion -- Appendix -- Bibliography -- Ancient Sources Index -- Modern Authors Index -- Subject Index. 330 $a"How artists portrayed the Bible in large canvas paintings is frequently the subject of scholarly exploration, yet the presentation of biblical texts in contemporary graphic designs has been largely ignored. In this book Amanda Dillon engages multimodal analysis, a method of semiotic discourse, to explore how visual composition, texture, color, directionality, framing, angle, representations, and interactions produce potential meanings for biblical graphic designs, particularly in the woodcuts of Meinrad Craighead for the Roman Catholic Sunday Missal and the illustrations of Nicholas Markell for the worship books of the Evangelical Lutheran Church in America"--$cProvided by publisher. 410 0$aBible and Its Reception 517 $aDrawn to the Word 606 $aChristian art and symbolism 606 $aGraphic arts 606 $aBible 615 0$aChristian art and symbolism. 615 0$aGraphic arts. 615 0$aBible. 676 $a220.52 700 $aDillon$b Amanda$01608490 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812802003321 996 $aDrawn to the Word$93935254 997 $aUNINA