LEADER 03567nam 2200805 450 001 9910812768303321 005 20230912125359.0 010 $a1-4426-7711-2 024 7 $a10.3138/9781442677111 035 $a(CKB)2430000000001038 035 $a(EBL)4671713 035 $a(SSID)ssj0000377078 035 $a(PQKBManifestationID)11279471 035 $a(PQKBTitleCode)TC0000377078 035 $a(PQKBWorkID)10336924 035 $a(PQKB)11375087 035 $a(CaBNvSL)thg00600320 035 $a(DE-B1597)464643 035 $a(OCoLC)1013964482 035 $a(OCoLC)944177979 035 $a(DE-B1597)9781442677111 035 $a(Au-PeEL)EBL4671713 035 $a(CaPaEBR)ebr11257413 035 $a(OCoLC)244767821 035 $a(VaAlCD)20.500.12592/r2q45g 035 $a(schport)gibson_crkn/2009-12-01/6/418277 035 $a(MiAaPQ)EBC4671713 035 $a(MdBmJHUP)musev2_104965 035 $a(MiAaPQ)EBC3254995 035 $a(EXLCZ)992430000000001038 100 $a20160921h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMasters of two arts $ere-creation of European literatures in Italian cinema /$fCarlo Testa 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2002. 210 4$dİ2002 215 $a1 online resource (377 p.) 225 0 $aToronto Italian Studies 300 $aDescription based upon print version of record. 311 $a0-8020-8475-3 311 $a0-8020-3640-6 320 $aIncludes bibliographical references. 327 $tEpigraphic Re-creations --$tGoethe and Archibugi Italy, the Illegible Land: Mignon Has Left (1988) --$tKafka and Fellini Soteriology, Cinecitta-style: America and Intervista (1987) --$tCoextensive Re-creations --$tGogol and Lattuada Fantastic Neorealism: The Overcoat (1952) --$tTolstoy and the Tavianis The Interminable Path of History: Father Sergius and The Night Sun (1990) --$tThe Re-creation to End All Creation --$tSade and Pasolini Requiem for a Utopia: Salo or the 120 Days of Sodom (1975) --$tMediated Re-creations --$tMerimee, Bizet, and Rosi The Consummation of Meridionalism: Carmen (1984) --$tPasternak, Lean, and Moretti Hermits and Revolutionaries: Palombella rossa (1989) --$tHypertextual Re-creations --$tStendhal and Rossellini The Masterpiece Fights Back: Vanina Vanini (1961) --$tMann and Visconti One Sentry Falls: Death in Venice (1971). 330 $aCarlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship. 410 0$aToronto Italian studies 606 $aMotion pictures$zItaly 606 $aMotion pictures and literature$zItaly 606 $aEuropean literature$vTelevision adaptations 606 $aEuropean literature$vFilm adaptations 607 $aItalien$2gnd 607 $aItaly$2fast 608 $aHistory. 608 $aFilm adaptations. 608 $aElectronic books. 615 0$aMotion pictures 615 0$aMotion pictures and literature 615 0$aEuropean literature 615 0$aEuropean literature 676 $a791.43/6 700 $aTesta$b Carlo$037292 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812768303321 996 $aMasters of two arts$93944514 997 $aUNINA