LEADER 03170nam 2200673 450 001 9910812763903321 005 20230126212113.0 010 $a0-231-85055-7 024 7 $a10.7312/glyn16741 035 $a(CKB)2670000000518459 035 $a(EBL)1603536 035 $a(SSID)ssj0001216788 035 $a(PQKBManifestationID)11788452 035 $a(PQKBTitleCode)TC0001216788 035 $a(PQKBWorkID)11198039 035 $a(PQKB)11268150 035 $a(StDuBDS)EDZ0000964681 035 $a(MiAaPQ)EBC1603536 035 $a(DE-B1597)458335 035 $a(OCoLC)979880155 035 $a(DE-B1597)9780231850551 035 $a(Au-PeEL)EBL1603536 035 $a(CaPaEBR)ebr10860402 035 $a(CaONFJC)MIL608820 035 $a(OCoLC)870597265 035 $a(EXLCZ)992670000000518459 100 $a20140429h20142014 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aQuadrophenia /$fStephen Glynn ; book design by Elsa Mathern 210 1$aLondon, [England] ;$aNew York :$cWallflower Press,$d2014. 210 4$dİ2014 215 $a1 online resource (169 p.) 225 1 $aCultographies 300 $aDescription based upon print version of record. 311 $a0-231-16741-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tAcknowledgements --$tForeword --$t1. Prequel: Cult into Music --$t2. Production: Cult into Film --$t3. Analysis: Film of Cult --$t4. Reception and Afterlife: Film into Cult --$tEpilogue --$tAppendix --$tNotes --$tBibliography --$tIndex 330 $a1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!' 410 0$aCultographies. 606 $aMotion pictures$xProduction and direction 606 $aMod culture (Subculture) 606 $aRocker culture 607 $aEngland$y20th century$xSocial conditions 615 0$aMotion pictures$xProduction and direction. 615 0$aMod culture (Subculture) 615 0$aRocker culture. 676 $a791.4372 700 $aGlynn$b Stephen$0852640 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812763903321 996 $aQuadrophenia$93944478 997 $aUNINA