LEADER 03349nam 2200577Ia 450 001 9910812728003321 005 20200520144314.0 010 $a1-134-92088-1 010 $a0-415-06517-8 010 $a1-280-02091-1 010 $a0-203-35937-2 010 $a1-134-92089-X 024 7 $a10.4324/9780203359372 035 $a(MiAaPQ)EBC179251 035 $a(Au-PeEL)EBL179251 035 $a(CaPaEBR)ebr10100164 035 $a(CaONFJC)MIL2091 035 $a(OCoLC)252865270 035 $a(OCoLC)54352727 035 $a(CKB)1000000000405482 035 $a(EXLCZ)991000000000405482 100 $a19920420d1993 uy 0 101 0 $aeng 135 $aurcn#|||uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAvant garde theatre, 1892-1992 /$fChristopher Innes 205 $a2nd ed. 210 $aLondon ;$aNew York $cRoutledge$d1993 215 $avii, 266 p. $cill 300 $aRev. and updated ed. of: Holy theatre. 1981. 311 $a0-203-37613-7 311 $a0-415-06518-6 320 $aIncludes bibliographical references and index. 327 $achapter 1 INTRODUCTION -- chapter 2 THE POLITICS OF PRIMITIVISM -- chapter 3 DREAMS, ARCHETYPES AND THE IRRATIONAL -- chapter 4 THERAPY AND SUBLIMINAL THEATRE -- chapter 5 ANTONIN ARTAUD AND THE THEATRE OF CRUELTY -- chapter 6 RITUAL AND ACTS OF COMMUNION -- chapter 7 BLACK MASSES AND CEREMONIES OF NEGATION -- chapter 8 MYTH AND THEATRE LABORATORIES -- chapter 9 SECULAR RELIGIONS AND PHYSICAL SPIRITUALITY -- chapter 10 ANTHROPOLOGY, ENVIRONMENTAL THEATRE AND SEXUAL REVOLUTION -- chapter 11 INTERCULTURALISM AND EXPROPRIATING THE CLASSICS -- chapter 12 FROM THE MARGINS TO MAINSTREAM. 330 $aExamining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama. 606 $aDrama$y20th century$xHistory and criticism 606 $aExperimental theater 615 0$aDrama$xHistory and criticism. 615 0$aExperimental theater. 676 $a809.2/04 700 $aInnes$b Christopher$f1941-$0158716 701 $aInnes$b Christopher$f1941-$0158716 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812728003321 996 $aAvant garde theatre, 1892-1992$93978530 997 $aUNINA