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100   $a20180706d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFilming the nation $eJung, film, neo-realism and Italian national identity /$fDonatella Spinelli Coleman
210  1$aHove, East Sussex ;$aNew York :$cRoutledge,$d2011.
215   $a1 online resource (241 p.)
300   $aDescription based upon print version of record.
311   $a0-415-55514-0 
311   $a0-415-55513-2 
320   $aIncludes bibliographical references and index.
327   $aFilming the Nation Jung, Film, neo-realism and Italian national identity; Copyright; Contents; Acknowledgments; Introduction; Primo tempo; Chapter 1The uninvited guest: film, psychoanalysis and the Jungian absence; Chapter 2Archetype and complex: the paradox of dynamic structures; Chapter 3Jung, film and nation: image as witness of a process of becoming; Intervallo; Chapter 4Italian neo-realism and the unmitigated darkness of historical truth; Secondo tempo; Chapter 51942-1945: War and archetypes - an orphan nation with a legacy of murder
327   $aChapter 61947-1949: clearing the debt to the maternal between war and reconstructionChapter 71949-1952: Redeemers, tricksters and the wisdom of the unconscious; Conclusion; Bibliography; Index
330   $a"Italian Neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorisations of film and national identity, Filming The Nation re-interprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming The Nation revisits the concept of national identity and its 'construction' from a perspective which combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis"--$cProvided by publisher.
606   $aMotion pictures$zItaly
606   $aMotion pictures$xPsychological aspects
606   $aCulture in motion pictures
607   $aItaly$xIn motion pictures
615  0$aMotion pictures
615  0$aMotion pictures$xPsychological aspects.
615  0$aCulture in motion pictures.
676   $a791.43/65845
700   $aSpinelli Coleman$b Donatella$f1963-,$0246888
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910812681803321
996   $aFilming the nation$93993780
997   $aUNINA