LEADER 03151nam 2200625 a 450 001 9910812617603321 005 20200520144314.0 010 $a94-006-0103-4 024 7 $a10.1515/9789400601031 035 $a(CKB)2550000001046757 035 $a(EBL)3327204 035 $a(SSID)ssj0000968893 035 $a(PQKBManifestationID)12406884 035 $a(PQKBTitleCode)TC0000968893 035 $a(PQKBWorkID)10985577 035 $a(PQKB)10025047 035 $a(OCoLC)966875646 035 $a(MdBmJHUP)muse54593 035 $a(Au-PeEL)EBL3327204 035 $a(CaPaEBR)ebr10661277 035 $a(CaONFJC)MIL560388 035 $a(OCoLC)867818346 035 $a(MiAaPQ)EBC3327204 035 $a(DE-B1597)635244 035 $a(DE-B1597)9789400601031 035 $a(EXLCZ)992550000001046757 100 $a20130304d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aConflict and development in Iranian film$b[electronic resource] /$fA.A. Seyed-Gohrab & K. Talattof (eds.) 210 $a[Leiden?] $cLeiden University Press$d2013 215 $a1 online resource (153 p.) 225 1 $aIranian studies series 300 $aDescription based upon print version of record. 311 $a90-8728-169-2 320 $aIncludes bibliographical references and index. 327 $a""Conflict and Development in Iranian Film""; ""Content""; ""Acknowledgements""; ""Politics and Persistence: The Development of Iranian Film""; ""The Sound of Frogs at Night: Kiarostamia???s Philosophy of Cinema""; ""Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema""; ""Kiarostamia???s Cinematic Poetry in Where is the Frienda???s Home? and The Wind will Carry Us""; ""Which Half is Hidden? The Public or the Private: An Analysis of Milania???s The Hidden Half""; ""Abbas Kiarostami and the Aesthetics of Ghazal"" 330 $aThe chapters in this volume explore the philosophical underpinnings and cinematic techniques characteristic of Iranian film. Collectively, they show how the pervasive themes of Iranian cinema, such as martyrdom and war, gender roles, and social policy issues have been addressed, and how directors have approached them using a variety of techniques. Some chapters outline the poetic and mystical dimensions of Abbas Kiarostami's movies. Other chapters describe the effects of the Islamic Revolution on codes of morality and their expression in film as well as on directors' tactics in response to the new theocratic system. 410 0$aIranian studies series (Leiden, Netherlands) 606 $aMotion pictures$zIran 610 $aIran, film, cinematic techniques, Abbas Kiarostami, Islamic Revolution. 615 0$aMotion pictures 676 $a791.43 701 $aSeyed-Gohrab$b A. A$g(Ali Asghar),$f1968-$0863649 701 $aTalattof$b K$01691363 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812617603321 996 $aConflict and development in Iranian film$94067660 997 $aUNINA