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101 0 $aeng
135   $aur|nu---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aHarrying $eskills of offense in Shakespeare's Henriad /$fHarry Berger, Jr
205   $aFirst edition.
210  1$aNew York, [New York] :$cFordham University Press,$d2015.
210  4$dİ2015
215   $a1 online resource (233 p.)
300   $aDescription based upon print version of record.
311 0 $a0-8232-5663-4 
311 0 $a0-8232-5662-6 
320   $aIncludes bibliographical references.
327   $tFront matter --$tContents --$tPreface --$t1. Misanthropology in Richard III --$t2. ?Here, Cousin, Seize the Crown? --$t3. Richard?s Soliloquy --$t4. On the Continuity of the Henriad --$t5. Falstaff and Harry --$t6. A Horse Named Cut --$t7. Hydra and Rhizome --$t8. Falstaff , Carnival, and the Perils of Speech-Prefixity --$t9. Interlude --$t10. The King?s Names --$t11. Rabbits, Ducks, Lions, Foxes --$t12. Harrying the Stage --$t13. Harry?s Question --$tNotes
330   $aHarrying considers Richard III and the four plays of Shakespeare?s Henriad?Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Berger combines close reading with cultural analysis to show how the language characters speak always says more than the speakers mean to say. Shakespeare?s speakers try to say one thing. Their language says other things that often question the speakers? motives or intentions. Harrying explores the effect of this linguistic mischief on the representation of all the Henriad?s major figures. It centers attention on the portrayal of Falstaff and on the bad faith that darkens the language and performance of Harry, the Prince of Wales who becomes King Henry V.
606   $aLITERARY CRITICISM / Shakespeare$2bisacsh
610   $aHarry's Question.
610   $aHarrying.
610   $aMisanthropolgy.
610   $aRhizome.
610   $aTetralogical echo chamber.
610   $adespair.
615  7$aLITERARY CRITICISM / Shakespeare.
676   $a822.3/3
700   $aBerger$b Harry$cJr.,$f1924-2021,$01272722
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906   $aBOOK
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996   $aHarrying$94031018
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