LEADER 03952nam 2200697Ia 450 001 9910812522103321 005 20200520144314.0 010 $a1-4384-4656-X 035 $a(CKB)2550000001043806 035 $a(EBL)3408724 035 $a(SSID)ssj0000883579 035 $a(PQKBManifestationID)11493345 035 $a(PQKBTitleCode)TC0000883579 035 $a(PQKBWorkID)10925521 035 $a(PQKB)11115732 035 $a(OCoLC)840569838 035 $a(MdBmJHUP)muse27171 035 $a(Au-PeEL)EBL3408724 035 $a(CaPaEBR)ebr10685124 035 $a(DE-B1597)681861 035 $a(DE-B1597)9781438446561 035 $a(MiAaPQ)EBC3408724 035 $a(EXLCZ)992550000001043806 100 $a20120712d2013 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aYouth peacebuilding $emusic, gender, and change /$fLesley J. Pruitt 205 $a1st ed. 210 $aAlbany $cState University of New York Press$dc2013 215 $a1 online resource (287 p.) 225 1 $aSUNY series, praxis: theory in action 300 $aDescription based upon print version of record. 311 $a1-4384-4654-3 311 $a1-4384-4655-1 320 $aIncludes bibliographical references and index. 327 $a""Youth Peacebuilding: Music, Gender, and Change""; ""Contents""; ""Acknowledgments""; ""Prelude""; ""Introduction""; ""Chapter 1: Youth in Peace and Conflict""; ""Chapter 2: Music Makes the (Young) People Come Together?""; ""Chapter 3: The Beat on the Ground: Introducing the Case Studies""; ""Chapter 4: Building Peace Through a Musical Dialogue""; ""Chapter 5: Shifting Identities, Performing Peace""; ""Chapter 6: Making Space, Creating Common Ground""; ""Chapter 7: Gendering the Jam: Possibilities and Prohibitions""; ""Postlude""; ""Appendices"" 327 $a""Appendix 1. Third Place Respondent Demographics""""Appendix 2. Third Place Participant Interview Schedule""; ""Appendix 3. Third Place Facilitator Demographics""; ""Appendix 4. Third Place Facilitator Interview Schedule""; ""Appendix 5. Breaking Barriers Respondent Demographics""; ""Appendix 6. Breaking Barriers Youth Participant Interview Schedule""; ""Appendix 7. Breaking Barriers Facilitator Demographics""; ""Appendix 8. Breaking Barriers Facilitators Interview Schedule""; ""Notes""; ""Bibliography""; ""Index"" 330 $aThis book highlights the important role youth can play in processes of peacebuilding by examining music as a tool for engaging youth in such activities. As Lesley J. Pruitt discusses throughout the book, music?as expression, as creation, as inspiration?can provide many unique insights into transforming conflicts, altering our understandings, and achieving change. She offers detailed empirical work on two youth peacebuilding programs in Australia and Northern Ireland, countries that appear overtly peaceful, but where youth still face structural violence and related direct violence at the community level. She also pays careful attention to the ways in which gender norms might influence young people's participation in music-based peacebuilding activities. Ultimately, the book defines a new research area linking youth cultures and music with peacebuilding practice and policy. 410 0$aSUNY series, praxis, theory in action. 606 $aYouth and peace 606 $aChildren and peace 606 $aPeace-building 606 $aPeace$vSongs and music 606 $aYouth$xPolitical activity 615 0$aYouth and peace. 615 0$aChildren and peace. 615 0$aPeace-building. 615 0$aPeace 615 0$aYouth$xPolitical activity. 676 $a303.6/6 700 $aPruitt$b Lesley J$01028780 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812522103321 996 $aYouth peacebuilding$94120909 997 $aUNINA