LEADER 03170nam 2200577Ia 450 001 9910812466703321 005 20200520144314.0 010 $a94-012-0267-2 010 $a1-4294-6800-9 024 7 $a10.1163/9789401202671 035 $a(CKB)1000000000464438 035 $a(EBL)556535 035 $a(OCoLC)126874834 035 $a(SSID)ssj0000229791 035 $a(PQKBManifestationID)12059391 035 $a(PQKBTitleCode)TC0000229791 035 $a(PQKBWorkID)10172579 035 $a(PQKB)10892425 035 $a(MiAaPQ)EBC556535 035 $a(Au-PeEL)EBL556535 035 $a(CaPaEBR)ebr10380127 035 $a(nllekb)BRILL9789401202671 035 $a(EXLCZ)991000000000464438 100 $a20060804d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aProvisionality and the poem $etransition in the work of du Bouchet, Jaccottet and Noel /$fEmma Wagstaff 205 $a1st ed. 210 $aAmsterdam ;$aNew York, NY $cRodopi$d2006 215 $a1 online resource (245 p.) 225 1 $aFaux titre,$x0167-9392 ;$v278 300 $aDescription based upon print version of record. 311 $a90-420-1939-5 320 $aIncludes bibliographical references (p. [227]-237) and index. 327 $aAcknowledgements -- List of Illustrations -- Introduction -- 1. Poetry in Time -- 2. Words in the Air -- 3. Art and the Book: Du Bouchet, Noël and the Visual Arts -- 4. The Foreign Language: Jaccottet, du Bouchet and Translation -- 5. Silence: Noël, Jaccottet and the Limits of Language -- Conclusion -- Illustrations -- Bibliography -- Index. 330 $aMuch poetic writing in France in the post-1945 period is set in an elemental landscape and expressed through an impersonal poetic voice. It is therefore often seen as primarily spatial and cut off from human concerns. This study of three poets, André du Bouchet, Philippe Jaccottet and Bernard Noël, who have not been compared before, argues that space is inseparable from time in their work, which is always in transition. The different ways in which the provisional operates in their writing show the wide range of forms that modern poetry can take: an insistence on the figure of the interval, hesitant movement, or exuberant impulse. As well as examining the imaginative universes of the poets through close attention to the texts, this book considers the important contribution they have made in their prose writing to our understanding of the visual arts and poetry translation, in themselves transitional activities. It argues that these writers have, in different ways, succeeded in creating poetic worlds that attest to close and constantly changing contact with the real. 410 0$aFaux titre ;$vno. 278. 606 $aFrench poetry$y20th century$xHistory and criticism 615 0$aFrench poetry$xHistory and criticism. 676 $a841.9209 700 $aWagstaff$b Emma$01694911 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812466703321 996 $aProvisionality and the Poem$94073788 997 $aUNINA