LEADER 02636nam 2200709Ia 450 001 9910456290403321 005 20200520144314.0 010 $a0-8018-9588-X 035 $a(CKB)2520000000007561 035 $a(EBL)3318417 035 $a(OCoLC)923194006 035 $a(SSID)ssj0000336956 035 $a(PQKBManifestationID)11273636 035 $a(PQKBTitleCode)TC0000336956 035 $a(PQKBWorkID)10286855 035 $a(PQKB)10307195 035 $a(MiAaPQ)EBC3318417 035 $a(OCoLC)651852210 035 $a(MdBmJHUP)muse2682 035 $a(Au-PeEL)EBL3318417 035 $a(CaPaEBR)ebr10363109 035 $a(EXLCZ)992520000000007561 100 $a20061030d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEast Asia and the global economy$b[electronic resource] $eJapan's ascent, with implications for China's future /$fStephen G. Bunker and Paul S. Ciccantell 210 $aBaltimore $cJohns Hopkins University Press$d2007 215 $a1 online resource (263 p.) 225 1 $aJohns Hopkins studies in globalization 300 $aDescription based upon print version of record. 311 $a0-8018-8593-0 320 $aIncludes bibliographical references (p. [219]-244) and index. 327 $aGrowth and crisis in the Japanese economy -- Economic ascent and hegemony in the capitalist world-economy -- The MIDAs-steel-ships nexus -- Creating Japan's coal-exporting peripheries -- Replicating Japan's new model in iron ore -- Transporting coal and iron ore -- The restructuring of global markets and the future of the capitalist world-economy. 410 0$aJohns Hopkins studies in globalization. 606 $aIndustries$zJapan$xHistory$y20th century 606 $aRaw materials$zJapan 606 $aInternational economic relations$xHistory 606 $aGlobalization 606 $aCapitalism 606 $aNatural resources 607 $aJapan$xEconomic policy$y1945- 607 $aJapan$xForeign economic relations 608 $aElectronic books. 615 0$aIndustries$xHistory 615 0$aRaw materials 615 0$aInternational economic relations$xHistory. 615 0$aGlobalization. 615 0$aCapitalism. 615 0$aNatural resources. 676 $a330.952 700 $aBunker$b Stephen G.$f1944-$0141077 701 $aCiccantell$b Paul S.$f1965-$0877493 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456290403321 996 $aEast Asia and the global economy$91959432 997 $aUNINA LEADER 04104nam 2200697 450 001 9910812450803321 005 20230807215843.0 010 $a1-4773-0227-1 024 7 $a10.7560/302262 035 $a(CKB)3710000000421930 035 $a(EBL)3443770 035 $a(SSID)ssj0001499342 035 $a(PQKBManifestationID)11774182 035 $a(PQKBTitleCode)TC0001499342 035 $a(PQKBWorkID)11534589 035 $a(PQKB)10198111 035 $a(MiAaPQ)EBC3443770 035 $a(OCoLC)910916337 035 $a(MdBmJHUP)muse43678 035 $a(Au-PeEL)EBL3443770 035 $a(CaPaEBR)ebr11064469 035 $a(DE-B1597)588201 035 $a(DE-B1597)9781477302279 035 $a(EXLCZ)993710000000421930 100 $a20150620h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPortable borders $eperformance art and politics on the U.S. frontera since 1984 /$fIla Nicole Sheren 205 $aFirst edition. 210 1$aAustin, Texas :$cUniversity of Texas Press,$d2015. 210 4$d©2015 215 $a1 online resource (212 p.) 225 1 $aLatin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation 300 $aDescription based upon print version of record. 311 $a1-4773-0226-3 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Introduction; 1. The Conceptual Border; 2. The Portable Border; 3. Re-Inscribing the Border; 4. Post-Border?; Epilogue; Notes; Bibliography; index 330 $aAfter World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century. Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions?the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez ?ERRE.? Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region. 410 0$aLatin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation 606 $aPerformance art$zMexican-American Border Region$y20th century 606 $aPerformance art$zMexican-American Border Region$y21st century 606 $aArt$xPolitical aspects$zMexican-American Border Region$xHistory$y20th century 606 $aArt$xPolitical aspects$zMexican-American Border Region$xHistory$y21st century 606 $aBoundaries in art 615 0$aPerformance art 615 0$aPerformance art 615 0$aArt$xPolitical aspects$xHistory 615 0$aArt$xPolitical aspects$xHistory 615 0$aBoundaries in art. 676 $a709.7 700 $aSheren$b Ila N.$01111142 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812450803321 996 $aPortable borders$94002255 997 $aUNINA