LEADER 01102nam--2200361---450- 001 990003571830203316 005 20110930153659.0 010 $a978-88-370-7708-2 035 $a000357183 035 $aUSA01000357183 035 $a(ALEPH)000357183USA01 035 $a000357183 100 $a20110930d2010----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> museo oltre la crisi$edialogo fra museologia e management$fFabio Donato, Anna Maria Visser Travagli 210 $aMilano$cMondadori Electa$d2010 215 $a254 p.$d21 cm 225 2 $aElecta per le belle arti 410 0$12001$aElecta per le belle arti 606 0 $aMusei$xGestione$yItalia$2BNCF 676 $a069.068 700 1$aDONATO,$bFabio$0320437 701 1$aVISSER TRAVAGLI,$bAnna Maria$038900 801 0$aIT$bsalbc$gISBD 912 $a990003571830203316 951 $aXII.3.D. 175$b229410 L.M.$cXII.3.D.$d00299669 959 $aBK 969 $aUMA 979 $aMARTUCCIEL$b90$c20110930$lUSA01$h1537 996 $aMuseo oltre la crisi$91115327 997 $aUNISA LEADER 03433nam 22007092 450 001 9910812422403321 005 20160415145156.0 010 $a1-139-79305-5 010 $a1-316-08665-8 010 $a1-139-77867-6 010 $a0-511-76137-6 010 $a1-107-25322-5 010 $a1-139-78166-9 010 $a1-139-77563-4 010 $a1-283-71561-9 010 $a1-139-77715-7 035 $a(CKB)2550000000708235 035 $a(EBL)1042396 035 $a(OCoLC)818817497 035 $a(SSID)ssj0000704141 035 $a(PQKBManifestationID)11422423 035 $a(PQKBTitleCode)TC0000704141 035 $a(PQKBWorkID)10692855 035 $a(PQKB)10527352 035 $a(UkCbUP)CR9780511761379 035 $a(MiAaPQ)EBC1042396 035 $a(Au-PeEL)EBL1042396 035 $a(CaPaEBR)ebr10618607 035 $a(CaONFJC)MIL402811 035 $a(EXLCZ)992550000000708235 100 $a20141103d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aActors and acting in Shakespeare's time $ethe art of stage playing /$fJohn H. Astington$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2010. 215 $a1 online resource (vii, 252 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-19250-1 311 $a0-521-14077-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction : the purpose of playing -- Shadows, jests, and counterfeits -- Playing and education -- Apprentices -- Playing many parts -- Players at work -- Conclusion -- Appendix : principal actors 1558-1660. 330 $aJohn Astington brings the acting style of the Shakespearean period to life, describing and analysing the art of the player in the English professional theatre between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theatre at various times over the course of roughly one hundred years - 1558-1660. Perfect for courses, this survey takes into account recent discoveries about actors and their social networks, about apprenticeship and company affiliations, and about playing outside the major centre of theatre, London. Astington considers the educational tradition of playing, in schools, universities, legal inns, and choral communities, in comparison to the work of the professional players. A comprehensive biographical dictionary of all major professional players of the Shakespearean period is included as a handy reference guide. 517 3 $aActors & Acting in Shakespeare's Time 606 $aTheater$zEngland$xHistory$y16th century 606 $aTheater$zEngland$xHistory$y17th century 606 $aActing$xHistory$y16th century 606 $aActing$xHistory$y17th century 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aActing$xHistory 615 0$aActing$xHistory 676 $a792.0942/09031 700 $aAstington$b John$0476933 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910812422403321 996 $aActors and acting in Shakespeare's time$9238866 997 $aUNINA