LEADER 02936nam 2200565 a 450 001 9910812400203321 005 20230725050617.0 010 $a1-283-23579-X 010 $a9786613235794 010 $a0-253-00087-4 035 $a(CKB)2550000000040163 035 $a(EBL)713662 035 $a(OCoLC)735596242 035 $a(SSID)ssj0000523607 035 $a(PQKBManifestationID)11355951 035 $a(PQKBTitleCode)TC0000523607 035 $a(PQKBWorkID)10543039 035 $a(PQKB)10503804 035 $a(MiAaPQ)EBC713662 035 $a(OCoLC)747432802 035 $a(MdBmJHUP)muse1866 035 $a(Au-PeEL)EBL713662 035 $a(CaPaEBR)ebr10481736 035 $a(CaONFJC)MIL323579 035 $a(EXLCZ)992550000000040163 100 $a20100917d2011 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aJane Campion$b[electronic resource] $eauthorship and personal cinema /$fAlistair Fox 210 $aBloomington [Ind.] $cIndiana University Press$dc2011 215 $a1 online resource (288 p.) 300 $aDescription based upon print version of record. 311 $a0-253-35618-0 320 $aIncludes bibliographical references, filmography and index. 327 $aIntroduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The "tragic underbelly" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- "How painful it is to have a family member with a problem like that": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on "cunt men": Holy smoke as sexual fantasy -- "That which terrifies and attracts simultaneously": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship. 330 $aAlistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of her mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campio 517 1 $aJane Campion :$eauthorship & personal cinema 676 $a791.4302/33092 676 $aB 700 $aFox$b Alistair$0695340 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812400203321 996 $aJane Campion$94082082 997 $aUNINA