LEADER 02740nam 2200589 a 450 001 9910812385003321 005 20230803030616.0 010 $a1-61703-894-6 010 $a1-62846-636-7 010 $a1-62103-982-X 035 $a(CKB)2670000000391314 035 $a(StDuBDS)EDZ0000203642 035 $a(MiAaPQ)EBC1181931 035 $a(OCoLC)828334142 035 $a(MdBmJHUP)muse28608 035 $a(MiAaPQ)EBC4977730 035 $a(Au-PeEL)EBL1181931 035 $a(CaPaEBR)ebr10733951 035 $a(CaONFJC)MIL838054 035 $a(Au-PeEL)EBL4977730 035 $a(CaONFJC)MIL505035 035 $a(OCoLC)1024284068 035 $a(EXLCZ)992670000000391314 100 $a20130719d2013 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $2rdacontent 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aStanley Kubrick$b[electronic resource] $eadapting the sublime /$fElisa Pezzotta 210 $aJackson $cUniversity Press of Mississippi$d2013 215 $a1 online resource (x, 230 pages) $cillustrations (black and white) 311 $a1-61703-893-8 311 $a1-57806-297-7 320 $aIncludes bibliographical references, filmography and index. 327 $aIntroduction -- A history of Kubrick adaptations -- Plot construction: ellipses and enigmas of unrelated -- Scenes -- Plot construction: a chaotic geometry -- Music, dance, and dialogue -- Dreamy worlds -- Artificiality, modernism, and the sublime -- Conclusion. 330 8 $aAlthough Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since '2001: A Space Odyssey' (1968), they seem to exploit definitively all cinematic techniques, embodying a compelling visual and aural experience. But, as the author of this book contends, it is for these reasons that Kubrick's cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Pezzotta concludes that, unlike his predecessors, he creates a cinema not only centred on the ontology of the medium, but on the staging of sublime, new experiences. 606 $aLiterature$xAdaptations$xHistory and criticism 606 $aFilm adaptations$xHistory and criticism 615 0$aLiterature$xAdaptations$xHistory and criticism. 615 0$aFilm adaptations$xHistory and criticism. 676 $a791.43/0233/092 700 $aPezzotta$b Elisa$01674147 701 $aPhillips$b Gene D$0880459 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812385003321 996 $aStanley Kubrick$94038767 997 $aUNINA