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100   $a20180331d1999      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aBen Jonson and theatre $eperformance, practice, and theory /$f[edited by] Richard Cave, Elizabeth Schafer, Brian Woolland
205   $a1st ed.
210  1$aLondon ;$aNew York :$cRoutledge,$d1999.
215   $a1 online resource (241 p.)
300   $aThis book has grown out of a conference held at Reading University in January 1996--P. [xiii].
311   $a0-415-17980-7 
311   $a0-415-17981-5 
320   $aIncludes bibliographical references (p. [211]-216) and index.
327   $aPreliminaries; Contents; List of illustrations; Notes on contributors; Acknowledgements; Preface; Induction; 1 Script and performance; 2 Visualising Jonson's text; 3 Designing for Jonson's plays; 4 Acting in Jonson?a conversation with John Nettles and Simon Russell-Beale; 5 Directing Jonson; 6 Introduction; 7 First encounters; 8 Jonson as Shakespeare's Other; 9 Contradictions; 10 The gift of silence; 11 Introduction; 12 Daughters of Ben; 13 'Twill fit the players yet'; 14 Jonson down under: An Australian Alchemist; Epilogue to this 'venture tripartite'
327   $aAppendix: The conference 'Ben Jonson and the Theatre', University of Reading, January 1996Bibliography; Index; 
330   $aLooks at the Jonson canon from the point of view of the theatre practitioner. It bridges the theory/practice divide by debating how his drama operates in performance and includes discussion with and between practitioners.
606   $aTheater$xProduction and direction$vCongresses
615  0$aTheater$xProduction and direction
676   $a822/.3
701   $aCave$b Richard Allen$0680078
701   $aSchafer$b Elizabeth$01627715
701   $aWoolland$b Brian$f1949-$01627716
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910812272303321
996   $aBen Jonson and theatre$93964443
997   $aUNINA