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100   $a19940905e20231994  uy         |
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aWriting after war $eAmerican war fiction from realism to postmodernism /$fJohn Limon$b[electronic resource]
210  1$aNew York ;$cOxford University Press,$d2023.
215   $a1 online resource (266 p.)
225 1 $aOxford scholarship online
300   $aPreviously issued in print: 1994.
311   $a0-19-508758-5 
311   $a0-19-508759-3 
320   $aIncludes bibliographical references and index.
327   $aContents; Introduction; 1. The Art of War: The Contest and the Duel; 2. Swords to Words: Realism and the Civil War; 3. Goddesses on the Battlefield: The Combatant Novels of Tourge?e, Cable, and De Forest; 4. Temporal Form and Wartime: Modernism After World War I; 5. The Postmodernization of World War II; 6. Diversions: A Theory of the Vietnam Sports Novel; 7. Family Likenesses: War in Women's Words; Afterword; Notes; Index
330 8 $aThis treatise develops a theory of the relationship of war in general to literature in general, to make sense of American literary history in particular. "The Iliad", argues the author, inaugurates literary history on the failure of war to be formally beautiful.
410  0$aOxford scholarship online.
606   $aWar stories, American$xHistory and criticism
606   $aAmerican fiction$y20th century$xHistory and criticism
606   $aAmerican fiction$y19th century$xHistory and criticism
606   $aPostmodernism (Literature)$zUnited States
606   $aRealism$xIn literature
615  0$aWar stories, American$xHistory and criticism.
615  0$aAmerican fiction$xHistory and criticism.
615  0$aAmerican fiction$xHistory and criticism.
615  0$aPostmodernism (Literature)
615  0$aRealism$xIn literature.
676   $a813.009/358
700   $aLimon$b John$01607301
801  0$bUk
801  1$bUk
801  2$bStDuBDSZ
801  2$bStDuBDSZ
906   $aBOOK
912   $a9910812260403321
996   $aWriting after war$94114797
997   $aUNINA