LEADER 06036nam 2200493 450 001 9910812233003321 005 20230828142820.0 010 $a90-04-44858-6 024 7 $a10.1163/9789004448582 035 $a(CKB)4100000011812064 035 $z(OCoLC)1200198054 035 $a(nllekb)BRILL9789004448582 035 $a(MiAaPQ)EBC6526815 035 $a(Au-PeEL)EBL6526815 035 $a(OCoLC)1244619841 035 $a(EXLCZ)994100000011812064 100 $a20211015d2021 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aMudejarismo and Moorish revival in Europe $ecultural negotiations and artistic translations in the Middle Ages and 19th-century historicism /$fedited by Francine Giese 210 1$aLeiden, Netherlands :$cBrill,$d[2021] 210 4$d©2021 215 $a1 online resource 225 1 $aVisualising the Middle Ages ;$v13 311 $a90-04-44820-9 320 $aIncludes bibliographical references and index. 327 $aAcknowledgments -- Abbreviations -- List of Figures -- Notes on Contributors -- Introduction: Towards a Comprehensive Understanding of Interconnected Realities -- Francine Giese -- PART 1 Between Fascination and Conflict -- 1 Where Does Mude?jar Architecture Belong? -- Francine Giese -- 2 When Warriors Become Teachers -- Alfonso x's Cultural Endeavors and the Crusade Ideology -- Michael A. Conrad -- 3 "Ennobling Muslims and Jews"? The Instrumentalization of Mude?jar under the House of Trasta?mara 1369-1474 -- Michael A. Conrad -- 4 Reassessing the Moorish Revival in 19th- Century Europe -- Francine Giese -- PART 2 -- Agents and Networks -- 5 "Oh, You Seeker of Knowledge! This is Its Gate Opened Wide." The Transcultural Networks of Patrons, Artists, Scholars, Writers and Diplomats Between Medieval Iberia and North Africa in the 14th Century -- Michael A. Conrad -- 6 Beyond Kings and Sultans -- Vertical Diffusion and the Patrons of Urban Palaces in 14th-Century Toledo -- Michael A. Conrad -- 7 Spanish Intellectuals of the 19th Century and Their Role for Knowledge Exchange Across Europe -- Christian M. Schweizer -- 8 Mentors, Patrons and Social Networks -- The Trajectories of Architects in a Globalized Century -- Francine Giese -- 9 Il Gusto Moresco -- Amateurs and Artists in Florence and Rome during the Second Half of the 19th Century -- Ariane Varela Braga -- PART 3 -- Artisans and Architects as Protagonists of Transcultural Exchange and Artistic Transfer -- 10 An Interconnected World -- Mude?jar Artisans and the Aristocracy in 15th-Century Castile -- Luis Araus Ballesteros -- 11 Reproducing the Alhambra -- Monument Conservators and Artisans in Granada -- Francine Giese and Alejandro Jime?nez Herna?ndez -- 12 Learning from Casts and Models -- Schools and Academies in 19th-Century Europe and the Specific Case of the Alhambra Collection in St. Petersburg -- Katrin Kaufmann, Ekaterina Savinova and Ariane Varela Braga -- PART 4 -- Artistic Translations between Imagination, Politics and Ideology -- 13 The Limits of Otherness -- Decoding the Entangled Heritage of Medieval Iberia -- Francine Giese and Sarah Keller. 327 $a14 Political Ruptures and Artistic Continuities -- Pedro I, Enrique II and the First Trasta?mara Architecture in Context -- Elena Paulino Montero -- 15 Oriental Carpets a -- nd Gothic Windows -- Stained Glass in Neo-Moorish Architecture -- Sarah Keller -- 16 The Alhambra as a Historicist Matrix for Museum Displays -- Francine Giese and Ariane Varela Braga -- 17 Stylistic Eclecticism and Its Oriental Languages Alhambrismo in St. Petersburg -- Katrin Kaufmann -- PART 5 -- Transmitting Islamic Aesthetics Across Centuries -- 1 -- Architectural Transformation -- 18 The Fortune of the Court of the Lions and the Court of the Dolls -- Artistic Translations and Processes of Decontextualization -- Francine Giese and Ariane Varela Braga -- 19 Domes Reinvented -- Changing Meanings and Artistic Translations of Ibero-Islamic Rib and Muqarnas Vaults -- Francine Giese -- 20 The Hybridization of Sebka Ornament -- Francine Giese and Ariane Varela Braga -- 2 -- Transmateriality -- 21 Revisiting the Alhambra -- Transmediality and Transmateriality in 19th-Century Italy -- Ariane Varela Braga -- 22 Neo-Moorish Ceilings -- On the Models and Materiality of Russian Alhambrismo -- Katrin Kaufmann -- 23 Illuminating Transennae - A Technical Reinterpretation -- Sarah Keller -- PART 6 -- Epilogue -- 24 An Endangered Heritage -- Mude?jar and Neo-Moorish Architecture in 20th-Century Europe -- Francine Giese and Laura A?lvarez Acosta -- Appendix -- 1 Catalogue of 19th-Century Alhambra Casts and Models at the Scientific-Research Museum of the Russian Academy of Arts in St. Petersburg -- Ekaterina Savinova -- Bibliography -- Index. 330 $aMudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mude?jar and neo-Moorish architecture are closely connected to the Islamic world, concepts of identity, nationalism, religious and ethnic belonging, as well as Orientalism and Islamoscepticism significantly shaped the way in which they have been perceived over time. This volume offers art historical and socio-cultural analysis of selected case studies from Spain to Russia and opens the door to a better understanding of interconnected cultural and artistic phenomena. 410 0$aVisualising the Middle Ages ;$v13. 606 $aArchitecture and society 615 0$aArchitecture and society. 676 $a720.103 702 $aGiese$b Francine 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812233003321 996 $aMudejarismo and Moorish revival in Europe$94066140 997 $aUNINA