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100   $a20151110d2015      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSurveillance Cinema
205   $a1st ed.
210  1$aNew York$cNYU Press$d2015
210  3$aBaltimore, Md. :$cProject MUSE, $d2021
210  4$d©2015
215   $a1 online resource (474 p.)
225 0 $aPostmillennial Pop
300   $aIMD-Felder maschinell generiert
311   $a1-4798-3667-2 
311   $a1-4798-6437-4 
320   $aIncludes bibliographical references and index.
327   $a""Cover""; ""Contents""; ""Acknowledgments""; ""Author's Note""; ""Introduction: Surveillance Cinema in Theory and Practice""; ""1. Video Surveillance, Torture Porn, and Zones of Indistinction""; ""2. Commodified Surveillance: First-Person Cameras, the Internet, and Compulsive Documentation""; ""3. The Global Eye: Satellite, GPS, and the "Geopolitical Aesthetic"""; ""4. Temporality and Surveillance I: Terrorism Narratives and the Melancholic Security State""; ""5. Temporality and Surveillance II: Surveillance, Remediation, and Social Memory in Strange Days""; ""Conclusion""; ""Notes"".
330   $aIn Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance.
410  0$aPostmillennial pop.
606   $aElectronic surveillance in motion pictures
606   $aSOCIAL SCIENCE / Media Studies$2bisacsh
608   $aElectronic books. 
615  0$aElectronic surveillance in motion pictures.
615  7$aSOCIAL SCIENCE / Media Studies.
676   $a791.43656
700   $aZimmer$b Catherine$01676172
801  0$bMdBmJHUP
801  1$bMdBmJHUP
906   $aBOOK
912   $a9910812218903321
996   $aSurveillance Cinema$94042213
997   $aUNINA