LEADER 02883nam 2200481 450 001 9910812057603321 005 20230809224944.0 010 $a0-253-02708-X 035 $a(CKB)3710000001423692 035 $a(MiAaPQ)EBC4900810 035 $a(OCoLC)992805111 035 $a(MdBmJHUP)muse57574 035 $a(Au-PeEL)EBL4900810 035 $a(CaPaEBR)ebr11406120 035 $a(CaONFJC)MIL1017773 035 $a(EXLCZ)993710000001423692 100 $a20170727h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe cinema of the Soviet thaw $espace, materiality, movement /$fLida Oukaderova 210 1$aBloomington, Indiana :$cIndiana University Press,$d2017. 215 $a1 online resource (229 pages) $cillustrations 300 $aIssued as part of book collections on Project MUSE. 311 $a0-253-02696-2 311 $a0-253-02635-0 320 $aIncludes bibliographical references, filmography and index. 327 $aIntroduction -- The persistence of presence : Soviet panoramic cinema -- Mimetic passages : the cinema of Mikhail Kalatozov and Sergei Urusevskii -- The architecture of movement : Georgii Danelia's I walk the streets of Moscow -- A walk through the ruins : Larisa Sepitko's Wings -- The obdurate matter of space : Kira Muratova's Brief encounters -- Conclusion : the otherness of space. 330 $aFollowing Joseph Stalin's death in 1953, the Soviet Union experienced a dramatic resurgence in cinematic production. The period of the Soviet Thaw became known for its relative political and cultural liberalization; its films, formally innovative and socially engaged, were swept to the center of international cinematic discourse. In The Cinema of the Soviet Thaw, Lida Oukaderova provides an in-depth analysis of several Soviet films made between 1958 and 1967 to argue for the centrality of space--as both filmic trope and social concern--to Thaw-era cinema. Opening with a discussion of the USSR's little-examined late-fifties embrace of panoramic cinema, the book pursues close readings of films by Mikhail Kalatozov, Georgii Danelia, Larisa Shepitko and Kira Muratova, among others. It demonstrates that these directors' works were motivated by an urge to interrogate and reanimate spatial experience, and through this project to probe critical issues of ideology, social progress, and subjectivity within post-Stalinist culture. 606 $aMotion pictures$zSoviet Union$xHistory 607 $aSoviet Union$2fast 615 0$aMotion pictures$xHistory. 676 $a791.430947 700 $aOukaderova$b Lida $01603900 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812057603321 996 $aThe cinema of the Soviet thaw$93928484 997 $aUNINA