LEADER 03632nam 2200637Ia 450 001 9910811945803321 005 20200520144314.0 010 $a1-135-25356-0 010 $a1-282-12512-5 010 $a9786612125126 010 $a0-203-86902-8 035 $a(CKB)1000000000761959 035 $a(EBL)432752 035 $a(OCoLC)418279159 035 $a(SSID)ssj0000152675 035 $a(PQKBManifestationID)11165066 035 $a(PQKBTitleCode)TC0000152675 035 $a(PQKBWorkID)10339425 035 $a(PQKB)10290263 035 $a(MiAaPQ)EBC432752 035 $a(Au-PeEL)EBL432752 035 $a(CaPaEBR)ebr10305718 035 $a(CaONFJC)MIL212512 035 $a(EXLCZ)991000000000761959 100 $a20080425d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe fabric of cultures $efashion, identity and globalization /$fedited by Eugenia Paulicelli and Hazel Clark 205 $a1st ed. 210 $aNew York $cRoutledge$d2009 215 $a1 online resource (xvi, 219 pages) $cillustrations 311 0 $a0-415-77543-4 311 0 $a0-415-77542-6 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Copyright; Contents; Figures; Contributors; Acknowledgments; Introduction; Chapter 1 From potlatch to Wal-Mart: Courtly and capitalist hierarchies through dress; Chapter 2 Dressing the nation: Indian cinema costume and the making of a national fashion, 1947-1957; Chapter 3 Made in America: Paris, New York, and postwar fashion photography; Chapter 4 Framing the Self, staging identity: Clothing and Italian style in the films of Michelangelo Antonioni (1950-1964); Chapter 5 The art of dressing: Body, gender, and discourse on fashion in Soviet Russia in the 1950s and 1960s 327 $aChapter 6 Fashioning appropriate youth in 1990s Vietnam; Chapter 7 Youth, gender, and secondhand clothing in Lusaka, Zambia: Local and global styles; Chapter 8 Fashion design and technologies in a global context; Chapter 9 Fabricating Greekness: From fustanella to the glossy page; Chapter 10 Fashion Brazil: South American style, culture, and industry; Chapter 11 Fashioning "China style" in the twenty-first century; Chapter 12 From factories to fashion: An intern's experience of New York as a global fashion capital; Index 330 $aFashion is both public and private, material and symbolic, always caught within the lived experience and providing an incredible tool to study culture and history. The Fabric of Cultures examines the impact of fashion as a manufacturing industry and as a culture industry that shapes the identities of nations and cities in a cross-cultural perspective, within a global framework. The collected essays investigate local and global economies, cultures and identities and the book offers for the first time, a wide spectrum of case studies which focus on a diversity of geographical 606 $aClothing and dress$xSocial aspects$vCross-cultural studies 606 $aFashion$xSocial aspects$vCross-cultural studies 606 $aGlobalization$xSocial aspects 615 0$aClothing and dress$xSocial aspects 615 0$aFashion$xSocial aspects 615 0$aGlobalization$xSocial aspects. 676 $a391 701 $aPaulicelli$b Eugenia$f1958-$0221712 701 $aClark$b Hazel$01659753 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811945803321 996 $aThe fabric of cultures$94014562 997 $aUNINA