LEADER 04179nam 22010094a 450 001 9910811896003321 005 20240410063953.0 010 $a1-282-75918-3 010 $a1-59734-453-2 010 $a0-520-92951-9 010 $a9786612759185 024 7 $a10.1525/9780520929517 035 $a(CKB)1000000000000446 035 $a(EBL)223833 035 $a(OCoLC)475929015 035 $a(SSID)ssj0000099585 035 $a(PQKBManifestationID)11108871 035 $a(PQKBTitleCode)TC0000099585 035 $a(PQKBWorkID)10016456 035 $a(PQKB)10067926 035 $a(StDuBDS)EDZ0000084770 035 $a(MiAaPQ)EBC223833 035 $a(OCoLC)52996026 035 $a(MdBmJHUP)muse30597 035 $a(DE-B1597)520313 035 $a(DE-B1597)9780520929517 035 $a(Au-PeEL)EBL223833 035 $a(CaPaEBR)ebr10048971 035 $a(CaONFJC)MIL275918 035 $a(EXLCZ)991000000000000446 100 $a20021017d2003 ub 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aAesthetics and analysis in writing on religion$b[electronic resource] $emodern fascinations /$fDaniel Gold 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$dc2003 215 $a1 online resource (315 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-23613-0 311 0 $a0-520-23614-9 320 $aIncludes bibliographical references (p. 287-295) and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: Modern Dilemmas in Writing on Religion --$t1. Fascinated Scientists and Empathizing Theologians --$t2. Finding Middle Grounds --$t3. A Creative Process --$t4. Other Scholars' UFOs --$t5. The Religio-historical Sublime --$t6. Relating Stories about Religious Traditions --$t7. Aesthetic Objects and Objective Knowledge --$t8. Interpreting Anew and Alone: Vision and Succession in Dutch Phenomenology --$t9. Explaining Together: The Excitement of Diffusionist Ideas --$t10. Interpreting Together: The Cambridge Ritualists' Affair of the Intellect --$t11. Concepts of Collectivity and the Fabric of Religio-historical Knowledge --$tAfterword: The Future of Modern Dilemmas --$tNotes --$tFrequently Cited Sources --$tIndex 330 $aThis book addresses a fundamental dilemma in religious studies. Exploring the tension between humanistic and social scientific approaches to thinking and writing about religion, Daniel Gold develops a line of argument that begins with the aesthetics of academic writing in the field. He shows that successful writers on religion employ characteristic aesthetic strategies in communicating their visions of human truths. Gold examines these strategies with regard to epistemology and to the study of religion as a collective endeavor. 606 $aReligious literature$xAuthorship 606 $aAesthetics$xReligious aspects 606 $aReligion$xMethodology 610 $aacademic. 610 $aaesthetics. 610 $aanalysis. 610 $aargument. 610 $abelief. 610 $achurch history. 610 $acritical thinking. 610 $aepistemology. 610 $afaith. 610 $ahuman nature. 610 $ahumanism. 610 $ahumanistic. 610 $areligion. 610 $areligious belief. 610 $areligious faith. 610 $areligious history. 610 $areligious studies. 610 $areligious tradition. 610 $ascholarly. 610 $ascience and religion. 610 $asocial sciences. 610 $asocial studies. 610 $atheologian. 610 $atheology. 610 $atraditional. 610 $atruth. 615 0$aReligious literature$xAuthorship. 615 0$aAesthetics$xReligious aspects. 615 0$aReligion$xMethodology. 676 $a200/.7/2 700 $aGold$b Daniel$01048842 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811896003321 996 $aAesthetics and analysis in writing on religion$93933704 997 $aUNINA