LEADER 03979nam 2200745Ia 450 001 9910811870703321 005 20200520144314.0 010 $a90-04-25099-9 024 7 $a10.1163/9789004250994 035 $a(CKB)2560000000105281 035 $a(EBL)1214127 035 $a(SSID)ssj0000891344 035 $a(PQKBManifestationID)11932436 035 $a(PQKBTitleCode)TC0000891344 035 $a(PQKBWorkID)10891562 035 $a(PQKB)11434133 035 $a(MiAaPQ)EBC1214127 035 $a(OCoLC)849248182 035 $a(nllekb)BRILL9789004250994 035 $a(Au-PeEL)EBL1214127 035 $a(CaPaEBR)ebr10718720 035 $a(CaONFJC)MIL498068 035 $a(PPN)174589638 035 $a(EXLCZ)992560000000105281 100 $a20130404d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFragmenting modernisms$b[electronic resource] $eChinese wartime literature, art, and film, 1937-49 /$fby Carolyn FitzGerald 210 $aLeiden ;$aBoston $cBrill$d2013 215 $a1 online resource (362 p.) 225 0 $aChina studies ;$vv. 24 300 $aDescription based upon print version of record. 311 $a90-04-25098-0 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Introduction Out of the Ashes: Towards a Wartime Aesthetics of Dissolution -- Chapter One A Sonnet in an Air-Raid Shelter: Mu Dan and the New Lyricism -- Chapter Two Intersections between Cartoon and National Art: Ye Qianyu?s Search for the Sinicized Cartoon -- Chapter Three Wang Zengqi?s Collection of Chance Encounters: The Shifting Essence of the Wartime Short Story -- Chapter Four Between Forgetting and the Repetitions of Memory: Fei Mu?s Aesthetics of Desolation in Spring in a Small Town -- Chapter Five Fei Ming?s After Mr. Neverwas Rides a Plane: Wartime Autobiography as History -- Epilogue Searching for Roots: Modernist Echoes in the Post-Mao Era -- Bibliography -- Index -- Plate Section. 330 $aIn Fragmenting Modernisms , Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing. 410 0$aChina Studies$v24. 606 $aChinese literature$y20th century$xHistory and criticism 606 $aSino-Japanese War, 1937-1945$xLiterature and the war 606 $aSino-Japanese War, 1937-1945$vArt and the war 606 $aMotion pictures$zChina$xHistory$y20th century 606 $aArt, Chinese$y20th century 606 $aModernism (Literature)$zChina 606 $aModernism (Art)$zChina 607 $aChina$xHistory$yCivil War, 1945-1949$xLiterature and the war 607 $aChina$xHistory$yCivil War, 1945-1949$vArt and the war 615 0$aChinese literature$xHistory and criticism. 615 0$aSino-Japanese War, 1937-1945$xLiterature and the war. 615 0$aSino-Japanese War, 1937-1945 615 0$aMotion pictures$xHistory 615 0$aArt, Chinese 615 0$aModernism (Literature) 615 0$aModernism (Art) 676 $a895.1/09005 700 $aFitzGerald$b Carolyn$01663551 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811870703321 996 $aFragmenting modernisms$94020934 997 $aUNINA