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100   $a19980504d1999      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aColor by Fox $ethe Fox network and the revolution in Black television /$fKristal Brent Zook
205   $a1st ed.
210   $aNew York $cOxford University Press$d1999
215   $a1 online resource (177 p.)
225 1 $aW.E.B. Du Bois Institute
300   $aPreviously issued in print: 1999.
311   $a0-19-510612-1 
311   $a0-19-510548-6 
320   $aIncludes bibliographical references (p. 118-142) and index.
327   $aContents; Acknowledgments; Introduction; Part 1: Color and Caste; 1: Blood Is Thicker than Mud: C-Note Goes to Compton on The Fresh Prince of Bel Air; 2: High Yella Bananas and Hair Weaves: The Sinbad Show; 3: Ralph Farquhar's South Central and Pearl's Place to Play: Why They Failed Before Moesha Hit; Part 2: Gender and Sexuality; 4: Sheneneh, Gender-Fuck, and Romance: Martin's Thin Line Between Love and Hate; 5: Living Single and the ""Fight for Mr. Right"": Latifah Don't Play; Part 3: Social Movement; 6: Under the Sign of Malcolm: Memory, Feminism, and Political Activism
327   $a7: Boricua Power in the Boogie-Down Bronx: Puerto Rican Nationalism on New York Undercover Conclusion; Notes; References; Index;
330 8 $aLocating a persistent black nationalist desire - yearning for home and community - in the shows produced in the 1980s and 1990s, Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the 1960s and 1970s.
410  0$aW.E.B. Du Bois Institute (Series)
606   $aAfrican Americans on television
606   $aAfrican Americans in television broadcasting
615  0$aAfrican Americans on television.
615  0$aAfrican Americans in television broadcasting.
676   $a791.450896073
676   $a791.456520396073
700   $aZook$b Kristal Brent$01021020
712 02$aW.E.B. Du Bois Institute for Afro-American Research,
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910811748403321
996   $aColor by Fox$92417797
997   $aUNINA