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181   $ctxt
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200 10$aHow Britain got the blues $ethe transmission and reception of American blues style in the United Kingdom /$fRoberta Freund Schwartz
205   $a1st ed.
210   $aAldershot, England ;$aBurlington, VT $cAshgate$dc2007
215   $a1 online resource (282 p.)
225 1 $aAshgate popular and folk music series
300   $aDescription based upon print version of record.
311   $a0-7546-5580-6 
320   $aIncludes bibliographical references (p. [247]-259) and index.
327   $aJazz reception in Britain : misunderstandings and recordings in exile -- The first time I met the blues : blues arrives in Britain -- 1953-1957 : the problem of the new -- 1957-1962 : the blues revival, part I -- London : the new Chicago! : the R&B boom of 1963-1965 -- Blues at the crossroads : the British blues revival part III, 1965-1970.
330   $aThis book explores how, and why, the blues became a central component of English popular music in the 1960's. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties.
410  0$aAshgate popular and folk music series.
606   $aBlues (Music)$zGreat Britain$xHistory and criticism
606   $aBlues (Music)$xInfluence
615  0$aBlues (Music)$xHistory and criticism.
615  0$aBlues (Music)$xInfluence.
676   $a781.6430941/09046
700   $aSchwartz$b Roberta Freund$01661027
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910811748303321
996   $aHow Britain got the blues$94016678
997   $aUNINA