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100   $a19930318d1993      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aLike a film $eideological fantasy on screen, camera, and canvas /$fTimothy Murray
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d1993
215   $a1 online resource (276 p.)
300   $aDescription based upon print version of record.
311   $a0-415-07733-8 
311   $a0-415-07734-6 
320   $aIncludes bibliographical references (p. 240-255) and index.
327   $aBook Cover; Title; Contents; List of figures; Acknowledgements; INTRODUCTION Ideological fantasy in reverse projection; LIKE A FILM Reopening the case of the missing penis with Rainer, Silverman and Torok; PHOTO-MEDUSA Roland Barthes Incorporated; DIRTY STILLS Arcadian retrospection, cinematic hieroglyphs, and blackness run riot in Olivier's Othello; DIRTIER STILL? Wistful gazing and homographic hieroglyphs in Jarman's Caravaggio; WHAT'S HAPPENING? Lyotard writes art; ALLEGORIZING 'CONTENT' Metaphysical contradictions in the Harrisons' Lagoon Cycle; ON THE LINE; Bibliography; Index; 
330   $aTimothy Murray discusses relations between artistic practice, sexual and racial politics, theory and cultural studies through an examination of film, photography and art.
606   $aHomosexuality in motion pictures
606   $aMotion pictures and the arts
606   $aMotion pictures$xPolitical aspects
606   $aMotion pictures$xSocial aspects
615  0$aHomosexuality in motion pictures.
615  0$aMotion pictures and the arts.
615  0$aMotion pictures$xPolitical aspects.
615  0$aMotion pictures$xSocial aspects.
676   $a791.43
676   $a791.4375
700   $aMurray$b Timothy$0883316
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910811737203321
996   $aLike a film$93990292
997   $aUNINA