LEADER 04210oam 2200709I 450 001 9910811696803321 005 20190503073405.0 010 $a0-262-30472-4 010 $a0-262-30565-8 035 $a(CKB)2670000000241506 035 $a(EBL)3339489 035 $a(SSID)ssj0000737033 035 $a(PQKBManifestationID)11974210 035 $a(PQKBTitleCode)TC0000737033 035 $a(PQKBWorkID)10782705 035 $a(PQKB)10675972 035 $a(CaBNVSL)mat06354122 035 $a(IDAMS)0b00006481b4dacc 035 $a(IEEE)6354122 035 $a(OCoLC)810257421$z(OCoLC)939820056$z(OCoLC)961593098$z(OCoLC)962657394$z(OCoLC)966253395$z(OCoLC)988530180$z(OCoLC)992113297$z(OCoLC)1037940686$z(OCoLC)1038565855$z(OCoLC)1045528135$z(OCoLC)1066427438$z(OCoLC)1081213496 035 $a(OCoLC-P)810257421 035 $a(MaCbMITP)9188 035 $a(Au-PeEL)EBL3339489 035 $a(CaPaEBR)ebr10597101 035 $a(OCoLC)810257421 035 $a(MiAaPQ)EBC3339489 035 $a(EXLCZ)992670000000241506 100 $a20120910h20122012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe design way $eintentional change in an unpredictable world /$fHarold G. Nelson and Erik Stolterman 205 $aSecond edition. 210 $aCambridge, Massachusetts $cThe MIT Press$dİ2012 215 $a1 online resource (297 p.) 300 $aDescription based upon print version of record. 311 $a0-262-52670-0 311 $a0-262-01817-9 320 $aIncludes bibliographical references and index. 327 $a""Contents""; ""Preface to the Second Edition""; ""Acknowledgments from First Edition""; ""Prelude""; ""I THE FIRST TRADITION""; ""II FOUNDATIONS""; ""1 The Ultimate Particular""; ""2 Service""; ""3 Systemics""; ""4 The Whole""; ""III FUNDAMENTALS""; ""5 Desiderata""; ""6 Interpretation and Measurement""; ""7 Imagination and Communication""; ""8 Judgment""; ""9 Composing and Connecting""; ""10 Craft and Material""; ""IV METAPHYSICS""; ""11 The Evil of Design""; ""12 The Splendor of Design""; ""13 The Guarantor-of-Design (g.o.d.)""; ""V A DRAWING TOGETHER""; ""14 Becoming a Designer"" 327 $a""15 Being a Designer""""The Way Forward""; ""References""; ""Index"" 330 3 $a"Humans did not discover fire--they designed it. Design is not defined by software programs, blueprints, or font choice. When we create new things--technologies, organizations, processes, systems, environments, ways of thinking--we engage in design. With this expansive view of design as their premise, in The Design Way, Harold Nelson and Erik Stolterman make the case for design as its own culture of inquiry and action. They offer not a recipe for design practice or theorizing but a formulation of design culture's fundamental core of ideas. These ideas--which form "the design way"--Are applicable to an infinite variety of design domains, from such traditional fields as architecture and graphic design to such nontraditional design areas as organizational, educational, interaction, and health care design. Nelson and Stolterman present design culture in terms of foundations (first principles), fundamentals (core concepts), and metaphysics, and then discuss these issues from both learner's and practitioner's perspectives. The text of this second edition is accompanied by new detailed images, "schemas" that visualize, conceptualize, and structure the authors' understanding of design inquiry. This text itself has been revised and expanded throughout, in part in response to reader feedback." 606 $aDesign$xPhilosophy 606 $aSystem design 606 $aDesign$xStudy and teaching 610 $aDESIGN/General 610 $aDESIGN/Design Theory 615 0$aDesign$xPhilosophy. 615 0$aSystem design. 615 0$aDesign$xStudy and teaching. 676 $a745.401 700 $aNelson$b Harold G.$01609378 702 $aStolterman$b Erik 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910811696803321 996 $aThe design way$93936598 997 $aUNINA 999 $p$47.50$u03/12/2018$5Art