LEADER 03484nam 2200709 a 450 001 9910811681203321 005 20200520144314.0 010 $a1-107-19141-6 010 $a1-139-24866-9 010 $a1-316-61089-6 010 $a1-282-63697-9 010 $a9786612636974 010 $a0-511-68938-1 010 $a0-511-69086-X 010 $a0-511-69198-X 010 $a0-511-69012-6 010 $a0-511-68863-6 035 $a(CKB)2560000000009915 035 $a(EBL)502436 035 $a(OCoLC)642661137 035 $a(SSID)ssj0000411804 035 $a(PQKBManifestationID)11268555 035 $a(PQKBTitleCode)TC0000411804 035 $a(PQKBWorkID)10365358 035 $a(PQKB)10865313 035 $a(UkCbUP)CR9780511691591 035 $a(MiAaPQ)EBC502436 035 $a(Au-PeEL)EBL502436 035 $a(CaPaEBR)ebr10395482 035 $a(CaONFJC)MIL263697 035 $a(EXLCZ)992560000000009915 100 $a20100510h20102009 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAncient Greek music $ea new technical history /$fStefan Hagel 205 $a1st ed. 210 $aCambridge ;$aNew York $cCambridge University Press$d2010, c2009 215 $a1 online resource (xix, 484 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 24 Feb 2016). 311 $a0-511-69159-9 311 $a0-521-51764-8 320 $aIncludes bibliographical references (p. 454-471) and indexes. 327 $aThe evolution of ancient Greek musical notation -- Notation, instruments and the voice -- Notation in the handbooks -- Strings and notes -- Fine tuning -- Going beyond Ptolemy -- Assisted resonance -- The extant musical documents -- Aulos types and pitches -- Before Aristoxenus -- Synthesis. 330 $aThis book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology. 606 $aMusic, Greek and Roman$xHistory and criticism 606 $aMusic theory$xHistory$yTo 500 606 $aMusic theory$xHistory$y500-1400 615 0$aMusic, Greek and Roman$xHistory and criticism. 615 0$aMusic theory$xHistory 615 0$aMusic theory$xHistory 676 $a780.938 700 $aHagel$b Stefan$0473380 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811681203321 996 $aAncient Greek music$9227009 997 $aUNINA