LEADER 05184nam 2200757 450 001 9910811679303321 005 20230807221324.0 010 $a0-8232-5684-7 010 $a0-8232-5686-3 024 7 $a10.1515/9780823256860 035 $a(CKB)3710000000454541 035 $a(EBL)2121287 035 $a(OCoLC)915134731 035 $a(SSID)ssj0001531416 035 $a(PQKBManifestationID)12650075 035 $a(PQKBTitleCode)TC0001531416 035 $a(PQKBWorkID)11463922 035 $a(PQKB)10419708 035 $a(MiAaPQ)EBC3430732 035 $a(MiAaPQ)EBC5046415 035 $a(DE-B1597)555329 035 $a(DE-B1597)9780823256860 035 $a(MdBmJHUP)muse58917 035 $a(MiAaPQ)EBC2121287 035 $a(Au-PeEL)EBL3430732 035 $a(CaPaEBR)ebr11083125 035 $a(OCoLC)900088843 035 $a(Au-PeEL)EBL2121287 035 $a(CaONFJC)MIL818207 035 $a(EXLCZ)993710000000454541 100 $a20150602d2015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTalking the walk & walking the talk $ea rhetoric of rhythm /$fMarc Shell 205 $aFirst edition. 210 1$aNew York :$cFordham University Press,$d2015. 215 $a1 online resource (222 p.) 225 1 $aVerbal arts: studies in poetics 300 $aIncludes index. 311 $a0-8232-5683-9 311 $a0-8232-5682-0 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: -- CHAPTER ONE: STARTING OUT -- 1. Prologue & Preamble -- 2. Talking & Walking -- 3. Rhythm & Meter -- 4. Scansion & Breathing (Cæsura, Beat, Walking Poems) -- 5. Kinesiology & Prosody (Canine Walkies, Galloping Verse, Lame Metrics) -- 6. Writing & Dancing -- 7. Letting the Ducks Out -- CHAPTER TWO: WALKING VOICES -- 1. "And God went, 'Where are you'?" in the Bible's In The Beginning -- 2. The Walking Bass in Monteverdi's My Foot Slips Again [1624] -- 3. "I can Scarcely Move or Draw my Breath" in Purcell's King Arthur [1691] -- CHAPTER THREE: TRIPS OF THE TONGUE IN HAMLET [1600] -- 1. Crawl -- 2. Pause -- 3. Mobility -- 4. Claudication -- 5. Will he Nill he -- 6. Triplex -- CHAPTER FOUR: TALKING CURES -- 1. "Walking and Talking at the Same Time": Wordsworth's Dilation (Pedestrianism, Bumming, Hopping & Ambling) -- 2. "Slips of the Tongue": Freud's Hinking (Hysterical Narratives, Limping Iambics) -- CHAPTER FIVE: WALKIE TALKIES -- 1. Tin Man's "Can Can Can" in The Wizard of Oz [1939] -- 2. Foghorn Leghorn's "Walkie Talkie" in Walky Talky Hawky [1946] -- 3. Lina Lamont's "Pipes and Stems" in Singin' in the Rain [1952] -- 4. L.B. Jeffries' "Totter" in Rear Window [1954] -- CHAPTER SIX: MARCHING & HEILING IN THE GREAT DICTATOR [1940] -- 1. Powerful Crowds -- 2. Goose Steps -- 3. Macaronic Speeches -- 4. Anatine Quacks -- 5. Mind the Music -- CHAPTER SEVEN: SIGN LANGUAGES -- 1. Ma Bell's "Let your Fingers do the Walking" in The Yellow Pages [1962] -- 2. Dorothy Miles' Body-Sign Language in Gestures [1976] -- CHAPTER EIGHT: POSTAMBLE & EPILOGUE -- 1. Reduplication -- 2. Talking the Walk & Walking the Talk -- 3. The Finish Line -- 4. A Walking Solution -- BACK MATTER -- 1. Illustrations (List) -- 2. Abbreviations. 330 $a"This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk. The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry--as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology. Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy. The final chapters of the book provide a series of interrelated representative case studies"--$cProvided by publisher. 410 0$aVerbal arts--studies in poetics. 606 $aPoetics 606 $aRhythm in literature 606 $aWalking in literature 606 $aEnglish language$xVersification 615 0$aPoetics. 615 0$aRhythm in literature. 615 0$aWalking in literature. 615 0$aEnglish language$xVersification. 676 $a808.1 686 $aLIT014000$aLIT000000$2bisacsh 700 $aShell$b Marc$0125461 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811679303321 996 $aTalking the walk & walking the talk$94097667 997 $aUNINA LEADER 01532nas 2200469-a 450 001 996206525803316 005 20240413025740.0 011 $a1980-5381 035 $a(DE-599)ZDB2133276-9 035 $a(CKB)991042731607164 035 $a(CONSER)---93649816- 035 $a(EXLCZ)99991042731607164 100 $a19930429a19909999 --- - 101 0 $apor 135 $aur|nu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNova economia $erevista do Departamento de Ciências Econômicas da UFMG 210 $aBelo Horizonte $cUFMG/FACE/DCE$d1990- 215 $a1 online resource 300 $aRefereed/Peer-reviewed 311 08$aPrint version: Nova economia (Belo Horizonte, Brazil) 0103-6351 (DLC) 93649816 (OCoLC)28005334 531 $aNOVA ECON 606 $aEconomics$vPeriodicals 606 $aEconomic history$y1945-$vPeriodicals 606 $aEconomic history$2fast$3(OCoLC)fst00901974 606 $aEconomics$2fast$3(OCoLC)fst00902116 607 $aBrazil$xEconomic conditions$y1945-$vPeriodicals 607 $aBrazil$2fast 608 $aPeriodicals.$2fast 615 0$aEconomics 615 0$aEconomic history 615 7$aEconomic history. 615 7$aEconomics. 676 $a330.981/05 712 02$aUniversidade Federal de Minas Gerais.$bDepartamento de Ciências Econômicas. 906 $aJOURNAL 912 $a996206525803316 920 $aexl_impl conversion 996 $aNova economia$91956134 997 $aUNISA