LEADER 03304nam 22005413u 450 001 9910811606403321 005 20210114102605.0 010 $a0-85745-714-4 024 7 $a10.1515/9780857457141 035 $a(CKB)3710000000108788 035 $a(EBL)1676462 035 $a(MiAaPQ)EBC1676462 035 $a(DE-B1597)636892 035 $a(DE-B1597)9780857457141 035 $a(EXLCZ)993710000000108788 100 $a20140512d2005|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusic and Manipulation$b[electronic resource] $eOn the Social Uses and Social Control of Music 210 $aNew York, NY $cBerghahn Books$d2005 215 $a1 online resource (400 p.) 300 $aDescription based upon print version of record. 311 $a1-84545-098-1 327 $aTitle Page; Copyright Page; Table of Contents; Illustrations list; Foreword; Preface; List of Contributors; Introduction; Part I: Music Events; Chapter 1 Ritual and Ritualization: Musical Means of Conveying and Shaping Emotion in Humans and Other Animals; Chapter 2 Music, Identity, and Social Control; Chapter 3 Between Ideology and Idenity: Media, Discourse, and Affect in the Musical Experience; Part II: Background Music; Chapter 4 Music in Business Environments; Chapter 5 The Social Uses of Background Music for Personal Enhancement; Part III: Audiovisual Media 327 $aChapter 6 Music, Moving Images, Semiotics, and the Democratic Right to KnowChapter 7 Music Video and Genre; Chapter 8 The Effectiveness of Music in Television Commercials; Part IV: Governmental/Industrial Control; Chapter 9 Music Censorship from Plato to the Present; Chapter 10 Orpheus in Hell; Chapter 11 The Changing Structure of the Music Industry; Part V: Control by Reuse; Chapter 12 Music and Reuse; Chapter 13 Copyright, Music, and Morals: Artistic Expression and the Public Sphere; Epilogue; Index 330 $aSince the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music's behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music's divers 606 $aManipulative behavior 606 $aMusic$xSocial aspects 606 $aSocial control 606 $aSOCIAL SCIENCE / Anthropology / Cultural & Social$2bisacsh 615 0$aManipulative behavior. 615 0$aMusic$xSocial aspects. 615 0$aSocial control. 615 7$aSOCIAL SCIENCE / Anthropology / Cultural & Social. 676 $a306.4/842 700 $aBrown$b Steven$0103423 701 $aVolgsten$b Ulrik$01645403 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910811606403321 996 $aMusic and Manipulation$93991844 997 $aUNINA 999 $p$176/40$u06/22/2016$5Music