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200 10$aObserving theatre $espirituality and subjectivity in the performing arts /$fDaniel Meyer-Dinkgra?fe ; cover design by Aart Jan Bergshoeff ; Per Brask [and eleven others], contributors
210  1$aAmsterdam, Netherlands ;$aNew York :$cRodopi,$d2013.
210  4$d©2013
215   $a1 online resource (229 p.)
225  0$aConsciousness, literature & the arts,$x1879-6044 ;$v36
300   $aDescription based upon print version of record.
311   $a90-420-3780-6 
311   $a1-306-31550-6 
320   $aIncludes bibliographical references and index.
327   $tPreliminary Material --$tAcknowledgments --$tIntroduction --$tNostalgia /$rBenjamin Poore , Yana Meerzon and Daniel Meyer-Dinkgräfe --$tTowards intuitive collaboration as a concept for discussing intercultural performance /$rDaniel Meyer-Dinkgräfe , Gayathri Ganapathy and Shrikant Subramaniam --$tAppropriate forms of praise of acting in theatre criticism /$rDaniel Meyer-Dinkgräfe , Per Brask and Harry Youtt --$tNew dimensions of consciousness studies --$tPrinciples of consciousness and theatre contexts --$tFeedback from contributors and discussion --$tSummary and Outlook --$tBibliography --$tContributors --$tIndex.
330   $aDaniel Meyer-Dinkgräfe and co-authors take the exploration of the subjective dimension of theatre, its spiritual context, its relation to consciousness and natural law, further than ever before, thanks to the context provided by the thinking of German geobiologist Hans Binder. We present relevant aspects of Binder?s approach as precisely as possible, then take Binder?s approach for granted to tease out the implications of that approach to the issues of theatre, including nostalgia, intercultural theatre, theatre criticism, dealing with demanding roles, the canon, theatre and philosophy, digital performance, practice as research, and applied theatre. Overall, the book proposes an overarching emphasis on the importance of living in the present and the concomitant need to abandon obsolete but still powerful patterns of the past. In this context, theatre, according to Binder, has a global responsibility for the new world in which humans are liberated from the scourge of the past. Theatre has the power and thus the responsibility to be path-breaking for a new ?fiction?, to show to people, in a playful and creative manner, the direction in which the new consciousness can move.
410  0$aConsciousness, Literature and the Arts$v36.
606   $aPerforming arts
615  0$aPerforming arts.
676   $a791
700   $aMeyer-Dinkgra?fe$b Daniel$f1958-$0852416
701   $aBergshoeff$b Aart Jan$01614042
701   $aBrask$b Per$f1952-$01493235
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910811373903321
996   $aObserving theatre$93989271
997   $aUNINA