LEADER 01912nam 2200457 450 001 9910811368903321 005 20230807205922.0 010 $a1-4438-8774-9 035 $a(CKB)3710000000570260 035 $a(EBL)4535077 035 $a(MiAaPQ)EBC4535077 035 $a(Au-PeEL)EBL4535077 035 $a(CaPaEBR)ebr11216081 035 $a(CaONFJC)MIL888187 035 $a(OCoLC)935642536 035 $a(EXLCZ)993710000000570260 100 $a20160622h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aShakespeare's verbal art /$fby William Bellamy 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (537 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-8384-0 320 $aIncludes bibliographical references at the end of each chapters and index. 330 $aShakespeare's Verbal Art is a profoundly important study of the newly rediscovered anagrams that lie hidden below the surface of all Shakespearean texts. It explains the essential role played by these concealed figures in Classical and Renaissance poetry, demonstrating the revelatory function of anagram by reference to the close analysis of a wide range of examples. Special attention is given to Shakespeare's use of these sub-textual devices to clarify meaning and intention. The focus is first on Shake-speares Sonnets of 1609, and secondly on Hamlet, Othello and Twelfth Night, all of which are 606 $aAnagrams 615 0$aAnagrams. 676 $a427.00903 700 $aBellamy$b William$0163646 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910811368903321 996 $aShakespeare's verbal art$93947050 997 $aUNINA